Oxide: Beyond a material

Through the illustration of the usage of oxide in making of floors and surfaces, this is an attempt to revisit the firmly rooted existence of this valuable building art. It is an elaboration on the uniqueness of a material which expresses through its end product a narrative of its locally crafted creation and the growth of a skill over centuries, which makes it exclusive for an informed pick in design practice. 

Oxide, as a raw material, has contributed significantly to the manifested choices of finishes for the built surfaces in architectural spaces. Its earthy, warm and tantalising texture has time immemorially instigated masses and not just practitioners, to reconnect with myriad associations of traditional charm and value of building craftsmanship. By being used as an agent in preparation of floors, walls and other surfaces in typical shades as cherry, crimson, ruby or scarlet, its practice has been polished and perfected to become a selective building process in concentrated parts of India like Kerala, coastal Karnataka and interior Tamil Nadu. Continue reading Oxide: Beyond a material

AN ERODED PRIVATE REALM: P Venugopal

In this comment, P Venugopal objectively observes our changing architectural perceptions of homes as a society and the subjective dimensions of the missing levels of humanising factors shaping the designs.

Museums are regulated environments. Artifacts on display are confined to tight frames of glass, and watched under spotlights. Curios in glass boxes are hermetically sealed. Relieved from the incessant gaze of the spectators, if they are taken back to the store, after the day’s work, they may recoup in the warmth of their ordinary storage alcove and breathe! They too can enjoy the privilege of a private realm. Continue reading AN ERODED PRIVATE REALM: P Venugopal

Mobius House: Girish Dariyav Karnawat, GDKdesigns

Elemental in its approach, the Mobius House in Goa by Girish Dariyav Karnawat of Mangalore-based GDKdesigns invites a reading less as an object of design but through an exploratory process, of a site of transformation. The architecture of the residence is grounded in an understanding found within inherent gestures of domestic occupation and the slow shifts of architectural representation. 

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“Mobius House is a resultant of the pursuit of the archetypal image of a pavilion in the landscape through processes that strive to accommodate contemporary building and living conditions, while in simultaneous dialogue with rich traditional and vernacular references,” writes Siddhartha Singh for GDKdesigns Continue reading Mobius House: Girish Dariyav Karnawat, GDKdesigns

Andrew Boyd and Minnette de Silva

Two Pioneers of Modernism in Ceylon

By David Robson

David Robson pens an empathetic memoir outlining the life and works of Sri Lanka’s two pioneering architects – a man by the name of Andrew Boyd and a lady by the name Minnette de Silva – in an attempt to restore their well-deserved place in the history of Modern Architecture from Sri Lanka and to bring into light their exceptional merit. 


Andrew Boyd

40.81-Portrait-of-Andrew-Boyd,-c.-1960
Portrait of Andrew Boyd, 1960

Born in Cornwall in 1905, Andrew Boyd was the son of an Indian Circuit Judge and experienced a typically dislocated Raj childhood, spending part of his childhood in India and part of it at school in England. His father encouraged him to join the tea business, and in 1927 arranged for him to become a tea taster with Liptons in Ceylon. There he was befriended by the photographer, Lionel Wendt, and moved in a circle which included the painter George Keyt and the poet/diplomat Pablo Neruda. Wendt kindled Boyd’s interest in photography and this in turn led him to architecture. Continue reading Andrew Boyd and Minnette de Silva

An Allusion to a Cloud

In the Himalayan mountains of Kalga village in Himachal, a group of artists and designers created ‘An Allusion to a Cloud’, an installation made of light, sound and organza silk, enlivening it with the energies of dancer Wei, Ching-Jui.

Installations are fascinating objects. Or are they subjects? Perhaps both. An Allusion to a Cloud, fabricated during the KYTA artist residency, although not a public installation, is nevertheless an interesting specimen when it comes to artistic collaboration. KYTA (Karma Yatri Travel & Art) residency brings together practitioners from varied backgrounds be it Electronic and Experimental Music or Dance, Photography, Music Theory, Sculpture, Architecture and Art into one place – a village called Kalga in Himachal Pradesh – for a month. The participants work together and the confluence of these creative energies in the pristine surroundings of the mountains, fresh air and nature, produces inspiring works of art.

Continue reading An Allusion to a Cloud