SITE VISIT: KHAMIR CRAFT RESOURCE CENTRE

Situated in the midst of a vast arid expanse in Kutch, the architecture of Khamir Crafts Resource Centre in Kukma is one of participation in the celebration of the crafts from the region. Designed to facilitate a network with the artisans by responding to their way of life and work, the place builds upon the complex cultural relationships therein.


In a region that faces natural extremities, craft, in Kutch, is a means of self-reliance. Continue reading SITE VISIT: KHAMIR CRAFT RESOURCE CENTRE

STUDIO: BPS ARCHITECTS

Studio culture is the embodiment of a pattern of work that nurtures the craft of building. Architecture workspaces are especially readable in this context as architects are, in this case, designing for themselves. With every workplace as distinct and specific as the work it produces, the people who design and work in these environments reveal their ideas about space-making.

In this edition of the STUDIO series, we enquire about the processes, approaches, work ethics, and the trajectory of a Rajkot-based practice BPS Architects led by Parth Shah and Brinda Shah.


Q: How long has it been since the completion of your studio space, and how has it transformed?

Parth Shah [PS]: Our studio was completed in August 2007. Since then, it has transformed in more ways than one. Some of the immediate physical changes are visible in the way the ‘green’ has become a part of the building over a period of time. Continue reading STUDIO: BPS ARCHITECTS

Christopher Benninger: Cyrus Jhabvala Memorial Lecture 2018

Architect Christopher Benninger narrates the experiences that moulded his life and shares these learnings from his travels in the Third Edition of the Cyrus Jhabvala Memorial Lecture held in September 2018 at India International Centre, New Delhi


THE STORIES FROM MY JOURNEY
Yesterday, Today and Tomorrow

Prologue
India is the land of storytelling. Since time immemorial oral narratives have been the medium of India’s learning and self-awareness. Oral traditions are kept alive by temple artisans and priests, by wandering minstrels, and dramas in village fairs and tamashas. Continue reading Christopher Benninger: Cyrus Jhabvala Memorial Lecture 2018

[IN]SIDE: SAMIRA RATHOD ON PRACTICE OF INTERIOR DESIGN

Samira Rathod, Principal, Samira Rathod Design Atelier [SRDA] writes about the predicaments and opportunities of practising interior architecture in India – a context where the discipline is disorganised and there is lack of clarity on the role of design consulting in the interior space.

Craftsmanship – learning in the making of the object.

PRACTICE

To write about interior design as a practice is very tough since we do not see Interior design as a formal, organised discipline in India. When we were studying architecture, there was no independent/separate interior design practice in India and no interior designers that were respected or known enough. Continue reading [IN]SIDE: SAMIRA RATHOD ON PRACTICE OF INTERIOR DESIGN

The Structure: Works of Mahendra Raj

‘The Structure: Works of Mahendra Raj‘ is an elaborate account of the significant career of one of the predominant structural designers of India – through an archive of images, drawings and writings on the prolific structures envisioned by Mahendra Raj.

Book Cover: View of the Hidon River Mills roof, Gaziabad.

Continue reading The Structure: Works of Mahendra Raj

LEARNING AND TEACHING ARCHITECTURE IN THE PRESENT SCENARIO

In a curated series on archival texts, views, discussions and comments on the state of architecture and design education in India, Shirish Beri provides observations, on the importance of a student-teacher relationship and challenges students to nurture their inquisitiveness which lies at the core of architectural education.


Continue reading LEARNING AND TEACHING ARCHITECTURE IN THE PRESENT SCENARIO

IMPACT: DESIGN THINKING AND THE VISUAL ARTS IN YOUNG INDIA

CURATED BY CHATTERJEE & LAL

The post-independence period in India witnessed the beginning of a new design culture with the founding of quality institutions and initiatives in arts, crafts and cultural projects across India. In the quest for a unique modern identity, the architecture and design trajectory of an independent India aspired to establish a significant voice in the making of a new kind of society. In this context, the exhibition: IMPACT: Design Thinking and the Visual Arts in Young India attempts to foreground the radical design discourse in India in the 20th century, featuring select works of individuals, groups and organisations at the intersection of art, craft and design.   

Mitter Bedi (1926-1985) | Godrej Chairs c.1970 | Image Courtesy: Mitter Bedi Collection, Godrej Archives

Continue reading IMPACT: DESIGN THINKING AND THE VISUAL ARTS IN YOUNG INDIA

MODERN HERITAGE: Listing

The contribution of the history of modern architecture in India is unparalleled in terms of the many experiments that were embarked upon in search of spatial and social innovations that were responsive to the cultural, social, political and economic landscape of India. At a time when architecture in India needs a critical review, it is this history that serves as a reference and a foundation.

Mapping Modern History


1930 – 1949 

Continue reading MODERN HERITAGE: Listing

STUDIO: KSM ARCHITECTURE

Studio culture – as with all manifestations of the human intellect – is the embodiment of a pattern of work that nurtures the craft of building. Architecture workspaces are especially readable in this context as architects are, in this case, designing for themselves. With every workplace as distinct and specific as the work it produces, the people who design and work in these environments reveal their ideas about space-making.

In this edition of the STUDIO series, we enquire about the processes, approaches, work ethics, and the trajectory of a long-standing Chennai-based practice KSM Architecture led by Sriram Ganapathi and Siddarth Money.


Continue reading STUDIO: KSM ARCHITECTURE

DRAWING TO FIND OUT [05]: SHUBHRA RAJE

Shubhra Raje, principal architect of shubhra raje_built environments closely engages with different drawing practices within her studio. By excavating and analysing visual material in Shubhra’s studio, we attempt to decipher the draftsmanship cultures, their relationship with the design process and the way in which they inform her practice.


Images and Drawings: Courtesy Shubhra Raje
Author: Vedanti Agarwal
Curation and Film: Matter.

Shubhra Raje’s practice emphasizes the act of drawing as a means of critical thinking. Her rigorous drawing habit traces back to schooling years at CEPT University, where drawing by hand was ingrained in the academic rigour. However, her perceptions on the necessity to draw as a mode of thinking (as against drawing to represent) evolved through learnings during her time at the Cornell University. Representational drawings command a style that is conscious of its viewers. Design-thinking drawings are undisturbed collaterals between the engaged hand and the searching mind, oblivious of another eye. The scale of Shubhra’s practice enables her to engage with all stages of drawing in the design development process.

Continue reading DRAWING TO FIND OUT [05]: SHUBHRA RAJE