Industrial Playground (now a part of Rubberband) – a furniture design initiative by Ajay Shah Design Studio [ASDS] – juxtaposes playful formal and visual qualities of the objects they make with process-driven industrial manufacturing for characteristic precision and uniformity. Their contemporary aesthetic is derived from the intrinsic quality of materials they work with and the nature of this specific process.
Design, in a context like that of India, can mean many things. From improvisations on existing situations to ideas that are points of the genesis of the new and unexplored avenues; the context of a developing nation enables one to deal with a range of unprecedented challenges. In 1990, Ajay Shah, then a young NID graduate, founded the Circus Design Company after a few stints of working as a designer and a furniture producer. This new company was imagined to be a multi-disciplinary design firm that dealt with design as the process of thought rather than a professional service. The conceptual framework of the present-day Ajay Shah Design Studio can be traced back to this office. Continue reading [IN]SIDE: Design of the Idea with Ajay Shah Design Studio [ASDS]
Percy Adil Pithwala’s practice moves through intersections in art and architecture. While analysing his work at the Red Studio in Vadodara, we discuss and discover his way of looking at drawing – the abstract and the architectural.
Images and Drawings: Courtesy Percy Adil Pithawala
Author: Vedanti Agarwal
Curation & Film: Matter
Percy Pithawala has developed a unique approach to architectural practice over the years. Situated between pedagogy, art and architecture, his practice forages for intersections, unions and relationships between the three fields with ideas moving fluidly between the three. Percy Pithawala transitioned from working on conventional architecture projects to testing new grounds in competitions, abstract explorations and experimental pedagogy. While growing into both an artist and an architect, Percy closely engaged with ‘drawing as art’ from his schooling years at Pratt University, New York. His process engages with various modes, methods and mediums of drawing, some meant to bring about resolution in thought, while others: a vivid intuitive activity; each one producing expressive outcomes. Continue reading DRAWING TO FIND OUT : PERCY ADIL PITHAWALA
CURATED BY SANGEET SHARMA
The Capital Project of Chandigarh is among the most widely discussed and debated projects in the history of Modern Architecture in India. Under the trusteeship of Prime Minister Nehru, several young Indian architects joined hands to contribute to the mammoth task of nation-building, working across diverse sectors such as buildings for Space Research & Technology, Administrative Infrastructure, Cultural & Educational Institutions and Housing. At the forefront alongside his better-known contemporaries, was Architect Shivdatt Sharma [SD Sharma], a silent but powerful contributor to the ‘modernist’ landscape of a young India. In this piece, curated and assimilated by his son and architect Sangeet Sharma, SD Sharma writes about his time working alongside Le Corbusier and as an apprentice under Pierre Jeanneret.
In an intimate note that follows, Sangeet Sharma shares instances of growing up in the newly built city of Chandigarh and working under Shivdatt Sharma as an apprentice for almost two decades. He reflects on the many relationships that he has nurtured with his father, over the years – one of a friend, philosopher and guide.
LEARNING FROM LEGENDS
Authored by Shivdatt Sharma
Le Corbusier and his associates, all being the members of CIAM, processed the pure architecture that was to be followed in the making of Chandigarh. They believed that geometry was a timeless factor in the whole universe, and was, therefore, to be followed to create purity. Continue reading MODERN HERITAGE: In Retrospection: Shivdatt Sharma
In a discussion with Sanjay Mohe, Principal, Mindspace Architects, we explore the relationship between architecture and the specific peculiarities of the Indian landscape to try and decipher a unique way of seeing that is at the core of our experience of the built environment in India.
Q: You practise architecture in India – a landscape of great diversity and multiple cultures. What do you think is unique about practising in India? Continue reading [IN]SIDE: Sanjay Mohe on Practice of Architecture in India
Situated in the midst of a vast arid expanse in Kutch, the architecture of Khamir Crafts Resource Centre in Kukma is one of participation in the celebration of the crafts from the region. Designed to facilitate a network with the artisans by responding to their way of life and work, the place builds upon the complex cultural relationships therein.
In a region that faces natural extremities, craft, in Kutch, is a means of self-reliance. Continue reading SITE VISIT: KHAMIR CRAFT RESOURCE CENTRE