An editorial project by Matter in partnership with Şişecam Flat Glass, PRAXIS investigates the work and positions of diverse contemporary architecture practices in India. In this episode, Rahul Gore and Sonal Sancheti of _Opolis elaborate on the formal values that shape their outlook and approach to design. The discussion examines in detail aspects of partnerships – internally and externally – especially in public projects, the active role teaching and collegial culture plays in their studio.
PRAXIS is a curatorial project to chronicle contemporary architecture practice in India, with a particular emphasis on the principles, the structure, the challenges and the ideology. This film – a panorama of the first phase of the PRAXIS initiative – documents eleven studios from across India.
A Panorama on Contemporary Architecture in India
An editorial project by Matter in partnership with Şişecam Flat Glass, PRAXIS investigates the work and positions of diverse contemporary architecture practices in India. Rupali Gupte and Prasad Shetty discuss their work as curators, urban thinkers and educators, pondering upon new tools and ideas to comprehend the city and the human relationships within. Their work, through collectives of the likes of BARD Studio, CRIT, SEA and many others, engages the domains of practice and pedagogy through the principles of spatial economy, culture, ethics and justice.
Rupali Gupte, Prasad Shetty
In conversation with Prem Nath of Mumbai-based Architect Prem Nath and Associates, we discuss the numerous obstacles traversed in his architectural journey, as well as some of the landmark projects that brought him to the forefront of contemporary architecture in India.
The following text is the edited transcript of the interview conducted with Prem Nath at his Mumbai office, on the 14th of October, 2021
Everybody always asks me this question – “Mister Prem Nath, how did you become an architect?” It seems almost like a miracle, that I became an architect.
Back in my time, in the 1950s, pre-independence – people did not know what an ‘architect’ was. Engineers, overseers and mistris (labourers), were common terms known to people, but they had never heard of the term, ‘architect’. I myself had no idea what architecture was. I became an architect by fluke, you may call it. Maybe fate had determined I was to become an architect through a series of random events, and I had no idea at the time.
Continue reading Prem Nath: The Architect’s PerformanceAn editorial project by Matter in partnership with Şişecam Flat Glass, PRAXIS investigates the work and positions of diverse contemporary architecture practices in India. Bhavana Kumar and Nicola La Noce of Bengaluru-based Kumar La Noce revisit relevant experiences in their practice and examine the impact on the way they think and design. The dialogue dwells on impressions from their earlier years, recent works, and reflections on their experiences.
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