All posts by Matter

MODERN SOUTH ASIA | ACHYUT KANVINDE: INDIAN INSTITUTE OF TECHNOLOGY KANPUR 1959-1966

MODERN SOUTH ASIA
A Visual Archive of South Asia’s Modernist Heritage


The Modern South Asia (MSA) series is dedicated to exploring modern architecture of historic importance in South Asia through photography-based books. The series will focus on architecture from the 20th century, designed and built by regional and international architects. Each book will provide the reader with an in-depth visual exploration of the architecture through contemporary photographs, architectural drawings, and newly commissioned writing by architects, thinkers, and academics.  

The MSA series is edited and photographed by Randhir Singh. The project is supported and published by Arthshila Trust.


ACHYUT KANVINDE INDIAN INSTITUTE OF TECHNOLOGY KANPUR 1959-1966

Essay by Brinda Somaya and Alpa Sheth
Photographs by Randhir Singh

“Architect Achyut Kanvinde was a prominent figure in the world of Indian architecture from the mid-20th century onwards. His architectural designs were characterized by a unique blend of modernist principles and a deep appreciation for the local context. Kanvinde’s philosophy emphasized the harmonious integration between architectural design and structural engineering. This essay explores his design qualities and philosophy through the lens of his iconic works at the Indian Institute of Technology in Kanpur (IITK), particularly focusing on the academic core which includes the Library, the Faculty Building and the Lecture Hall Complex.

Alpa Sheth and I decided to structure this essay as a conversation. We began our discussions in the summer of 2023 (Part I) and were able to visit the campus in September. While Alpa had been to IITK prior to this, it was my first visit. Part II includes discussions we had while we were at IITK and also our conversations upon our return to Mumbai. I think the site visit was a very important decision because we needed to understand how the campus had survived, how it had changed and whether it was still relevant to the educational system of today. To experience this campus as an architect and a structural engineer, we echoed the importance that both disciplines jointly played in the formation of the buildings. The symbiotic relationship between architecture and structure is apparent, and these two elements of architecture must be read together as one entity. Credit must go to Kanvinde, Mahendra Raj, Damle and Phatak in this collaboration”.

—Brinda Somaya


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TERRA-X by Tectonic Assemblies



TERRA-X by TECTONIC ASSEMBLIES is one of six projects that emerged from the mentorship of the Godrej Design Lab Fellowship in 2025. The fellows exhibited their projects and processes at the Concious Collective in December 2025. 


As a unique wall system, TERRA-X, developed by four designers, articulates a performative block system atomised to enhance passive cooling in region-specific construction. Through iterative prototyping, the team examined existing precedents, tested fabrication methods, and assessed scalability and costs. By wire-cutting blocks into varied geometries, TERRA-X enables breathable wall assemblies while offering distinct, customisable visual expressions.

In its making, TERRA-X is an object of cultivated experimentation whose origins lie in a studio-led research framework – Tectonic Assemblies at CEPT University undertaken in Spring 2025. The collaborators worked intensively with students over an initial four-month period generating twenty-eight investigations, from which one was selected for deeper development. This trajectory centred on thermal comfort, foregrounding whether a single repeatable block could replace or integrate into conventional masonry systems while performing as a passive cooling device.

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INDIAN CRAFT HOUSES by Site Practice



INDIAN CRAFT HOUSES by SITE PRACTICE is one of six projects that emerged from the mentorship of the Godrej Design Lab Fellowship in 2025. The fellows exhibited their projects and processes at the Concious Collective in December 2025. 


Indian Craft Houses system presents prefabrication as a spectrum of possibilities for India, from industrialised forms to panelised systems and modular kits of parts. Venturing beyond efficiency, it interrogates materiality, user agency, and adaptability, proposing a relatively more participatory, context-sensitive approach that intersects design, craft, and sustainability, and rethinking the relationship between designer-builders, materials, and place.

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Architecture BRIO: Critical Tools

THE DESIGN PROCESS THROUGH DRAWINGS AND MODELS

Architecture BRIO, one of the most versatile amongst emerging practices in India, has been able to create projects with a refreshing sense of newness and surprise. This piece is an attempt to understand the key ingredients of their design process with an emphasis on the act of drawing as a negotiator of ideas.

In 2006, Shefali Balwani and Robert Verrijt established their practice – Architecture BRIO after returning from Sri Lanka where they worked with Channa Daswatte. Their initial projects were designed for Magic Bus – a non-profit organisation and entailed very efficiently resolved simple structures that enable ideas of play and interaction to manifest. Since then, their practice has engaged with works of various scales and typologies with sites in the peri-urban region of Mumbai, across India and South-East Asia. The portfolio is significantly diverse with the common themes that concern tectonics of site, formal and spatial explorations of architecture, critical reading of the programme, systems thinking, and clarity of material and detail that have characterised their work. 

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code.yatra by Ajaibghar



CODE.YATRA by AJAIBGHAR is one of six projects that emerged from the mentorship of the Godrej Design Lab Fellowship in 2025. The fellows exhibited their projects and processes at the Concious Collective in December 2025. 


code.yatra has been a year-long journey across Udaipur, Jaipur and Vadodara, asking how code can meaningfully extend one’s practice, whether that is a clown weaving it into storytelling, an analogue designer animating collages, a musician reimagining stepwell acoustics, or a photographer mapping city rhythms.

Through masterclasses, workshops, meetups and collective experiments, yatris translated their encounters into live-coded audio-visual works using Sonic Pi and p5.js, and co-created new tools and ideas – from an interactive board game, gesture-based soundscapes to shared code libraries which they now share forward in the larger community and beyond.

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