The Takshila Lecture on Architecture and Society is delivered by an eminent professional / academician that addresses growing disparity between the practice and pedagogy of Architecture in India, and the realities of our social, cultural and economic contexts. The lecture and the following dialogue aim to challenge the status-quo with a conviction that an open and honest conversation on the state of practice will instigate positive change.
The 2021 Takshila Lecture on Architecture and Society was presented by Níall McLaughlin on January 26th, 2021. Continue reading Níall McLaughlin: The 2021 Takshila Lecture on Architecture and Society
This three-point discussion sought perspectives and viewpoints on the perceivable aspects of interior design and the emerging tangential domains of the discipline – interior decoration / visual décor and styling.
INTERIOR DESIGN PRACTICE IN THE CONTEXT OF INDIA
An interior design practice when placed in the Indian context gets tied to not just our culture and aesthetics but more importantly, to how it is practised. In India, interior design has not been separated from architecture as a result of poor or no legislative or licensing control. It has, therefore, become a profession that architects adopt to create liquidity more often than not – an intermediary ball to keep rolling between architecture projects.
Continue reading Design & Décor
In conversation with photographer Bharath Ramamrutham, we discuss architectural photography as a discipline and a passion, and the various processes underlining a meaningful photograph.
The following text is the edited transcript from the interview with Bharath Ramamrutham, conducted on July 10th, 2020.
I. Origins [00:15]:
Bharath Ramamrutham [BR]: I grew up in a very simple traditional family. I was very fortunate because my father – an engineer and a marketing man – had a very keen sense of design. He also had an abiding interest in architecture, as well as photography.
I remember when I was about 14 years old, I asked him to get me a camera and he bought me an Agfa Click 3 (one of those really old-fashioned things, then for 35 rupees). It used to shoot monochrome film. We converted one of the bathrooms at home into a dark room and he bought an enlarger. We started processing film and making prints at home. He also travelled a lot around the world and Continue reading Bharath Ramamrutham: On Architectural Photography
Industrial Playground (now a part of Rubberband) – a furniture design initiative by Ajay Shah Design Studio [ASDS] – juxtaposes playful formal and visual qualities of the objects they make with process-driven industrial manufacturing for characteristic precision and uniformity. Their contemporary aesthetic is derived from the intrinsic quality of materials they work with and the nature of this specific process.
Design, in a context like that of India, can mean many things. From improvisations on existing situations to ideas that are points of the genesis of the new and unexplored avenues; the context of a developing nation enables one to deal with a range of unprecedented challenges. In 1990, Ajay Shah, then a young NID graduate, founded the Circus Design Company after a few stints of working as a designer and a furniture producer. This new company was imagined to be a multi-disciplinary design firm that dealt with design as the process of thought rather than a professional service. The conceptual framework of the present-day Ajay Shah Design Studio can be traced back to this office. Continue reading Design of the Idea with Ajay Shah Design Studio [ASDS]
Percy Adil Pithwala’s practice moves through intersections in art and architecture. While analysing his work at the Red Studio in Vadodara, we discuss and discover his way of looking at drawing – the abstract and the architectural.
Images and Drawings: Courtesy Percy Adil Pithawala
Author: Vedanti Agarwal
Curation & Film: Matter
Percy Pithawala has developed a unique approach to architectural practice over the years. Situated between pedagogy, art and architecture, his practice forages for intersections, unions and relationships between the three fields with ideas moving fluidly between the three. Percy Pithawala transitioned from working on conventional architecture projects to testing new grounds in competitions, abstract explorations and experimental pedagogy. While growing into both an artist and an architect, Percy closely engaged with ‘drawing as art’ from his schooling years at Pratt University, New York. His process engages with various modes, methods and mediums of drawing, some meant to bring about resolution in thought, while others: a vivid intuitive activity; each one producing expressive outcomes. Continue reading DRAWING TO FIND OUT : PERCY ADIL PITHAWALA