CONSTRUCTING THE SACRED OUTSIDE TRADITION

A Srivathsan

A Recorded Lecture from FRAME Conclave 2019: Modern Heritage


In this lecture, A Srivathsan presents his view on the construction of Hindu Temples, and raises pertinent questions about the orientation of contemporary and modern architecture within this discourse. Using examples of temples built by young practitioners as a prism, he draws distinctions and similarities between what the sacred is and what is modern.

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[BOOK] THE MAKING OF A CAMPUS: IIM BANGALORE BY KIRAN KESWANI

Through archival material, and insights into practical and lived experiences, the book curates a deep understanding of the Indian Institute of Management, Bangalore‘s architectural evolution. This prose captures not solely spaces but the dynamic interactions it contains and engenders as an institution, emphasising on how it has shaped the campus over time. Thus, reinforcing what brings the architecture to life and that the true spirit of the campus lies in the experiences of its users.

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PRAXIS 24 | The Vernacular Modern

An editorial project by Matter in partnership with Şişecam Flat Glass, PRAXIS investigates the work and positions of diverse contemporary architecture practices in India. In the episode, Abhirup Dutta and Deeptashree Saha reflect on the intellectual roots of their work as The Vernacular Modern. While anchored in their emphatic thematics of material cultures, and engineering, the imagery of the vernacular and the modern eponymously makes for their repertoire of furniture, art, architecture and objects. The formidably functional range is deeply researched, as evidenced by the studio’s process that is simultaneously organic and directional, embedded in the idea of ‘slowness’ and ‘an artisan-led’ approach. The Vernacular Modern’s work places these objects as signifiers in a complicated context and legacy of craft heritage in India. Working consciously with old demolition timber and towards contemporary narratives born of relearning and exploring, it asks a more nuanced question of itself – about true sense of collaborations, and developing products with a purpose.


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Niveditaa Gupta: On Architecture Photography

In conversation with Niveditaa Gupta, we discuss the various narratives that drive a contemporary photograph, along with the values and potential of architecture photography in India.


The following text is the edited transcript from the conversation with Niveditaa Gupta, conducted on December 13th, 2021


CHAPTER 01: ORIGINS [00:25]

Part I – The Theory of Photography [00:39]

I never anticipated that I would get into photography. I was not interested in photography as an amateur passion that you pick up while you are in architecture or design school, because we had a lot of photography exercises, but I never felt that I could use the camera to photograph things which I might be architecturally interested in. As part of my dissertation, I wrote a paper on architecture photography. In the fourth year of architecture school, everybody had to write a research paper, and so I went through the archives of architecture photography all over the world, to study just how the evolution of photography happened over the years.

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PRAXIS 23 | Put Your Hands Together

An editorial project by Matter in partnership with Şişecam Flat Glass, PRAXIS investigates the work and positions of diverse contemporary architecture practices in India. In this episode, Areen Attari of Put Your Hands Together introduces the idea of owning ‘bio-architects’ as the appropriate preface to the work they are pursuing. He cites collaborative influences, former partners, friends, and colleagues, underscored by their shared interests as a means of exploring and drawing attention to an architecture that finds a tacit relationship with natural materials. Through the discussion, Areen portrays the multi-modal approach of documentation, and teaching engagements to embrace the kind of imaginative play and intimacy that is essential to this practice and developing its details and systems. He believes he wants to create spaces that heal, spaces that make one slow down, and feel at peace with themselves.

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