[IN]SIDE: SAMIRA RATHOD ON PRACTICE OF INTERIOR DESIGN

Samira Rathod, Principal, Samira Rathod Design Atelier [SRDA] writes about the predicaments and opportunities of practising interior architecture in India – a context where the discipline is disorganised and there is lack of clarity on the role of design consulting in the interior space.

Craftsmanship – learning in the making of the object.

PRACTICE

To write about interior design as a practice is very tough since we do not see Interior design as a formal, organised discipline in India. When we were studying architecture, there was no independent/separate interior design practice in India and no interior designers that were respected or known enough. Continue reading [IN]SIDE: SAMIRA RATHOD ON PRACTICE OF INTERIOR DESIGN

The Structure: Works of Mahendra Raj

‘The Structure: Works of Mahendra Raj‘ is an elaborate account of the significant career of one of the predominant structural designers of India – through an archive of images, drawings and writings on the prolific structures envisioned by Mahendra Raj.

Book Cover: View of the Hidon River Mills roof, Gaziabad.

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LEARNING AND TEACHING ARCHITECTURE IN THE PRESENT SCENARIO

In a curated series on archival texts, views, discussions and comments on the state of architecture and design education in India, Shirish Beri provides observations, on the importance of a student-teacher relationship and challenges students to nurture their inquisitiveness which lies at the core of architectural education.


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IMPACT: DESIGN THINKING AND THE VISUAL ARTS IN YOUNG INDIA

CURATED BY CHATTERJEE & LAL

The post-independence period in India witnessed the beginning of a new design culture with the founding of quality institutions and initiatives in arts, crafts and cultural projects across India. In the quest for a unique modern identity, the architecture and design trajectory of an independent India aspired to establish a significant voice in the making of a new kind of society. In this context, the exhibition: IMPACT: Design Thinking and the Visual Arts in Young India attempts to foreground the radical design discourse in India in the 20th century, featuring select works of individuals, groups and organisations at the intersection of art, craft and design.   

Mitter Bedi (1926-1985) | Godrej Chairs c.1970 | Image Courtesy: Mitter Bedi Collection, Godrej Archives

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STUDIO: KSM ARCHITECTURE

Studio culture – as with all manifestations of the human intellect – is the embodiment of a pattern of work that nurtures the craft of building. Architecture workspaces are especially readable in this context as architects are, in this case, designing for themselves. With every workplace as distinct and specific as the work it produces, the people who design and work in these environments reveal their ideas about space-making.

In this edition of the STUDIO series, we enquire about the processes, approaches, work ethics, and the trajectory of a long-standing Chennai-based practice KSM Architecture led by Sriram Ganapathi and Siddarth Money.


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