Tag Archives: Modern Heritage

Charles Correa: Trajectories and Contexts

Ranjit Hoskote

A Recorded Lecture from FRAME Conclave 2019: Modern Heritage


In this lecture, Ranjit Hoskote postulates a portrait of Charles Correa as a curator. He speaks about Correa’s contribution to culture at large and his preoccupation with societal institutions albeit being an architect.


Edited Transcript

Good Morning.

Since I have 35 minutes, I am not really going to try and engage with absolutely everything that Charles Correa built in the course of a magnificent career. I am going to try and focus on a very particular strand in his work, his preoccupation with cultural institutions, and through what I have to say, I am going to try and develop provisionally a portrait of the architect as not only a member of a particular profession but as a contributor to ‘culture’ at large.

Charles Correa’s architecture was really part of my growing up in Bombay. Whether it was the Salvacao Church or Kanchenjunga, these were part of the urban fabric, part of the way in which one experience the city and part of what one identified with one’s home city. But also in the course of my professional life, there are Correa buildings to which I have often returned, where I have sometimes done things and which again have been part of my consciousness in my being. I am thinking particularly here of the Crafts Museum in Delhi, indeed the Kala Academy, the Jawahar Kala Kendra in Jaipur, the British Council building in Delhi and Bharat Bhavan in Bhopal. Also, on a far more personal note, my wife and I spent for many years our New Year holidays in a Charles Correa house, a spare elegant home that Charles designed for his and our friend, the artist Mehlli Gobhai in a chikoo orchard in Gholvad. To be there around Christmas and the turn of the year, every year, was very special. It is still a visceral experience that remains with me. Last year as part of an exhibition called ‘The Sacred Everyday‘, which I curated for the Serendipity Arts Festival here at the Adil Shah Palace, I thought that it might not be out of place to have, so to speak, a shrine that honoured the way in which Correa dealt with these questions of the ‘Circulation of the Sacred in the Everyday’ and how one might by means, both mythic and material, invoke these larger contexts of being so. But I am not going to talk about this today, I am actually going to move on.

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Doshi: The Master of Elastic Time

Lecture and Text: Bijoy Ramachandran
Film: Cinematographed, Edited and Directed by Premjit Ramachandran; Conceived and Researched by Bijoy Ramachandran (© Hinterland Films)

In this lecture, Bijoy Ramachandran articulates his reading of the works and thoughts of Pritzker Laureate Dr Balkrishna Doshi through the multiple encounters with his buildings that include the seminal IIM Bangalore, NIFT Delhi Campus and the Diamond Bourse. The talk also outlines the influence of the numerous interactions Bijoy has had with Doshi over the years.

 

In 2009, Bijoy collaborated with his brother and filmmaker Premjit Ramachandran to author and produce Doshi – a film on the celebrated indian architect. In 2019, and with a gap of ten years, they collaborated again to script and produce the second film ‘Doshi: Return to Formlessness‘ – an intimate portrait of the architect with immersive and enduring glimpses of some of his celebrated buildings.

Images and Film: Courtesy Bijoy Ramachandran and Premjit Ramachandran. The talk and the film were presented at the FRAME 2019 conclave ‘Modern Heritage’. 

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‘India: Modern Architectures in History’

Peter Scriver

A Recorded Lecture from FRAME Conclave 2019: Modern Heritage


In this lecture, Prof Peter Scriver articulates a historical perspective on the changes and challenges of Modern Architecture in India since Independence. The talk also dwells on the Nation-building efforts, the nation-builders and the significance of this body of work in contemporary India.


Edited Transcript

Welcome, everybody. Just before I proceed, I just want to show due credit to my colleague, Prem Chandavarkar for a profoundly significant opening thought-piece for us to all think about in the days ahead.

I think FRAME Conclave’s expectation of what I might do was to also help set up some ideas, but they will be far more humble, and they are more prosaically engaged with the stuff of the architecture around us and the careers of many of the people in the room, and some of the backgrounds that I have had the opportunity to observe over a number of years. This talk will open up some of that perspective for you and hopefully also be of some use.

But I guess I just wanted to note particularly how a term that Prem, someone among many in the room that I have known for some years, this architecture, the background, your final point, which you published about and talked about in the past. I think I have a much deeper understanding now of what you really mean by that. So thank you for putting those thoughts together. Continue reading ‘India: Modern Architectures in History’

MODERN HERITAGE: Listing

The contribution of the history of modern architecture in India is unparalleled in terms of the many experiments that were embarked upon in search of spatial and social innovations that were responsive to the cultural, social, political and economic landscape of India. At a time when architecture in India needs a critical review, it is this history that serves as a reference and a foundation.

Mapping Modern History


1930 – 1949 

Continue reading MODERN HERITAGE: Listing