Tag Archives: Modern Heritage

LE CORBUSIER AND M K GANDHI: AN UNLIKELY DIALOGUE

March 14, 2023 Matter Leave a comment

Riyaz Tayyibji

A Recorded Lecture from FRAME Conclave 2019: Modern Heritage

In this lecture, Riyaz Tayyibji speaks about a fictional conversation between M K Gandhi and Le Corbusier. Through the dialogue, he discusses their relationship with work and lifestyle, and their intimate connection with the inside and the outside.

Edited Transcript

Before I get to the two gentlemen that I would like to talk about today, a short note about the method I have used of juxtaposing two seemingly unrelated people together; this was a method that was first introduced to us as students of Prof. A.D. Raje, who would give students an exercise to imagine a conversation between, say Louis Kahn and Mimar Sinan at a coffee shop in Istanbul. This is certainly not a historian’s method; it is an architect’s method. An approach that would not only require the rigours of research to imagine the content of the conversation but would allow you to play with these ‘facts’ and their interpretations. In Raje’s exercise, the hypothetical context, the coffee shop was important. You had to define the hypothetical time in which the conversation was taking place. Somewhere in the process, it would emerge that this ‘hypothetical time’ was really a mirror of our own time.

Often the narrative of the present in which our history is written remains covert. One of the things that I enjoy about this method is that it ensures that the preoccupations of our own time are integrated into the narrative while always remaining explicit. Given the formality of our gathering today, I have chosen the form of a dialogue between one, Mr. M.K. Gandhi and another, Le Corbusier rather than a causal chat in a Byzantine café.

Continue reading →

Frame Conclave

GANDHI OF SPATIAL DELIGHT: THE CRITICAL PRACTICE OF LAURIE BAKER

June 6, 2022 Matter Leave a comment

Himanshu Burte

A Recorded Lecture from FRAME Conclave 2019: Modern Heritage

In this lecture, Dr Himanshu Burte speaks on the nature of Laurie Baker’s human-centric architectural practice; as an empiricist, environmentalist and extremely critical and creative practitioner.

Edited Transcript

So it is going to take a while for me to recover from one hour of Geoffrey Bawa and after this lush serenity, especially because I have to follow it up with an argument. But, I will go ahead and I am going to be talking about Laurie Baker. I have kept what I am saying fairly narrow and it is mainly in the form of a straight-on argument I am offering, and I am hoping that we can have a discussion afterwards, whenever we are scheduled. I have actually changed the title from what is published or what was originally given to it, because I actually took the title of my obituary for Baker, written just after he passed away and because of the resonance with yesterday’s discussion around Gandhi and Architecture.

I will begin by looking at the context, the objectives and the premises of what I have to say. To begin with, since this is about heritage and we are talking about Modern Heritage particularly, I approach heritage with the understanding that every map is really a plan. It just does not show you what is there, but it is a project. Heritage in that sense, I see as an exercise in constructing the future. By constructing the past in certain ways, by preserving certain memories and ascribing certain meanings to it, we are really constructing and doing the work of creating a future that we want. That I think extends to some extent to Prem‘s point, though I am sure he would not necessarily disagree with this. So, given that this is what is involved in thinking about heritage, it becomes very important to be conscious of our value positions and especially about the ethic of architecture, its politics, economics, the aesthetics and of course, the actual processes and practices that go into making the practice or the product itself.

Continue reading →

History, Modern Heritage, Research

Modern Heritage: Jawahar Kala Kendra, Jaipur

July 2, 2021 Matter 1 Comment

CHARLES CORREA

Designed in 1986 by Charles Correa, the Jawahar Kala Kendra in Jaipur is of critical significance for the Post-Independence architecture of India. Imagined as a metaphysical echo of the city of Jaipur itself, the building represents Correa’s interest in the abstract, mythical dimensions of architecture and the power of their manifestation in a civic building.

Film and Text: Aman Amin
Analytical Drawings : Studio Matter; Plan of JKK traced over original.

A Point in the Universe

Programmed and built as a National Cultural Institution, the Jawahar Kala Kendra is a testament of the everyday in the City of Jaipur. Reinterpreted from Jai Singh’s plan for the Jaipur City, Correa’s manifestation allows for interpretation of the form and programme – inviting the people and the city to a familial occurring.

Continue reading →

Frame Conclave, Modern Heritage

Claiming Space/Designing Space: Women Architects in Modern India

March 8, 2021 Matter Leave a comment

Mary Norman Woods

A Recorded Lecture from FRAME Conclave 2019: Modern Heritage

In this lecture, Mary Norman Woods talks about women architects in post-independent India, and their role in Indian society. She also speaks at length about two prominent women architects from two different generations, and their illustrated body of work.

Edited Transcript

Exploring the different forms that architectural practice might take beyond the usual metrics of originality and innovation can complicate our understanding of modern heritage and its implications for contemporary practice.

Peggy Deamer, US architect, educator, and activist has argued that how architects practice is as important as what they design and build. Writing in 2018, Deamer put forth the proposition that “architecture cannot produce spaces of freedom — public spaces, healthy spaces, accessible spaces, affordable spaces, sensually liberating spaces — for the society architects presume to serve if they are produced in unfree circumstances such as unpaid labour, gender inequality, generational hegemony, unsustainable work hours, non-existence work-life balance, lack of collegiality or discipline, [and] crippling competition.” Her words remind me of a question that Ellen Perry Berkeley, another American architectural critic, writer, and educator, posed exactly four decades ago. Then, Berkeley wrote: “the real problem for a thoughtful woman is not whether she is accepted into the profession, but whether she wants to be accepted into the profession as it is now.”

Continue reading →

Frame Conclave, Modern Heritage

Structural narrative of Indian Modernity as an oeuvre of Mahendra Raj

December 15, 2020 Matter 1 Comment

Rohit Raj Mehndiratta and Vandini Mehta

A Recorded Lecture from FRAME Conclave 2019: Modern Heritage

In this lecture, Rohit and Vandini talk about Mahendra Raj’s journey as a Structural Designer. They also provide an in-depth insight into the structural expressiveness, innovations and elements that allowed for new spatial possibilities in his illustrious body of work.

Edited Transcript

To talk about the works of Mahendra Raj, we have titled the work, “Structural narrative of Indian Modernity as an oeuvre of Mahendra Raj” as you will see, inflects and contributes, and helped create many artefacts that pioneer the narrative of Indian Architectural Modernism post-independence.

In this presentation, we will discuss only a few of Raj’s most important projects from over 250 projects that he has realised in the last six decades. Each project that we have chosen shows a visionary and pioneering engineering solution, exemplifying the bold and adventurous innovations his practice engaged in. As we discuss these works, the underlying story that emerges is of transnational exposures and exchanges of brilliant architectural and engineering minds, Le Corbusier and Louis Khan experimenting in India, Indian architects and engineers travelling West and coming back to engage with each other and local systems, we feel, created a fertile environment and incubator of sorts for new ideas that defined Indian Modernism.

Raj’s interest in structure started in 1951 when he was appointed as the Assistant Design Engineer for the construction of Chandigarh’s High Court. The geometric parasol roof consisting of shells presented the engineers with bold structural and functional hurdles. Working with other engineers, he, with his senior Gulzar Singh proposed modifications, that of a balanced cantilever, that supported on two columns, the fins that we now see which made the construction possible. This is what Corbusier wanted, and this is what finally came about from there.