Tag Archives: Charles Correa

Charles Correa: Trajectories and Contexts

Ranjit Hoskote

A Recorded Lecture from FRAME Conclave 2019: Modern Heritage


In this lecture, Ranjit Hoskote postulates a portrait of Charles Correa as a curator. He speaks about Correa’s contribution to culture at large and his preoccupation with societal institutions albeit being an architect.


Edited Transcript

Good Morning.

Since I have 35 minutes, I am not really going to try and engage with absolutely everything that Charles Correa built in the course of a magnificent career. I am going to try and focus on a very particular strand in his work, his preoccupation with cultural institutions, and through what I have to say, I am going to try and develop provisionally a portrait of the architect as not only a member of a particular profession but as a contributor to ‘culture’ at large.

Charles Correa’s architecture was really part of my growing up in Bombay. Whether it was the Salvacao Church or Kanchenjunga, these were part of the urban fabric, part of the way in which one experience the city and part of what one identified with one’s home city. But also in the course of my professional life, there are Correa buildings to which I have often returned, where I have sometimes done things and which again have been part of my consciousness in my being. I am thinking particularly here of the Crafts Museum in Delhi, indeed the Kala Academy, the Jawahar Kala Kendra in Jaipur, the British Council building in Delhi and Bharat Bhavan in Bhopal. Also, on a far more personal note, my wife and I spent for many years our New Year holidays in a Charles Correa house, a spare elegant home that Charles designed for his and our friend, the artist Mehlli Gobhai in a chikoo orchard in Gholvad. To be there around Christmas and the turn of the year, every year, was very special. It is still a visceral experience that remains with me. Last year as part of an exhibition called ‘The Sacred Everyday‘, which I curated for the Serendipity Arts Festival here at the Adil Shah Palace, I thought that it might not be out of place to have, so to speak, a shrine that honoured the way in which Correa dealt with these questions of the ‘Circulation of the Sacred in the Everyday’ and how one might by means, both mythic and material, invoke these larger contexts of being so. But I am not going to talk about this today, I am actually going to move on.

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A Tribute to Charles Correa by Rafael Moneo

Prof. Rafael Moneo pens a letter in tribute to Ar. Charles Correa. The gentlemen, both icons in their respective nations and across the globe, share a long friendship and mutual admiration.


June 30, 2015

It was with great sadness and surprise that I heard last week of Charles Correa’s passing away. I had seen him recently in Goa and although indeed he did seem fragile, I never thought he would leave us so rapidly. Continue reading A Tribute to Charles Correa by Rafael Moneo

In Conversation – Charles Correa, Raj Rewal and Mahendra Raj.

From The Z-Axis Climactic Session – Moderated by Riyaz Tayyibji. 

The complete edited video from Charles Correa Foundation with a landmark conversation between Charles Correa, Mahendra Raj and Raj Rewal. Continue reading In Conversation – Charles Correa, Raj Rewal and Mahendra Raj.

In Conversation: Charles Correa + Jyotindra Jain

A conversation between architect Charles Correa and Art Historian Jyotindra Jain was organised on November 30, 2014 at the ISC Auditorium in Bengaluru. The event also hosted a screening of Sankalp Meshram’s film ‘Into the Unknown’ on Charles Correa’s Champalimaud Centre.

This conversation was dedicated to the memory of Vimal Jain – an architect and founding partner to a Bengaluru-based firm Architecture Paradigm. He passed away in November, 2013, succumbing to injuries sustained from a fall at a project site.

Vistara – The Architecture of India

The re-mastered book and film from the iconic travelling exhibition on Indian Architecture curated by Charles Correa.

The document was a part of the seminal ‘Vistara: The Architecture of India’ exhibition, 1986 that travelled the world. This is an attempt to resurrect and preserve one of the most crucial and complex comments on the Architecture of India. The exhibition was accompanied by this book and the Vistara film – a projection system – chronicling powerful ideas, elements and epochs that represented our architecture and the practice of habitat-making.

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