Category Archives: Design Thinking

Design & Décor

With Canna Patel (HCP Interior Design Pvt Ltd),
Sandeep Khosla (Khosla Associates), and
Ambrish Arora (Studio Lotus)

This three-point discussion sought perspectives and viewpoints on the perceivable aspects of interior design and the emerging tangential domains of the discipline – interior decoration / visual décor and styling.


01.
INTERIOR DESIGN PRACTICE IN THE CONTEXT OF INDIA

Canna Patel:
An interior design practice when placed in the Indian context gets tied to not just our culture and aesthetics but more importantly, to how it is practised. In India, interior design has not been separated from architecture as a result of poor or no legislative or licensing control. It has, therefore, become a profession that architects adopt to create liquidity more often than not – an intermediary ball to keep rolling between architecture projects.

Continue reading Design & Décor

THE MERIT LIST 2019: PANEL DISCUSSION

A Recorded Discussion with The Merit List 2018-19 Jury Panel at Goa.


The jury for The Merit List 2018-19 cycle in a conversation moderated by Mahesh Radhakrishnan of MOAD, discusses projects in the context of issues that concern practice, pedagogy and built environment that emerged in the evaluation process.

The Jury (2018-19 Cycle)
Brinda Somaya, Somaya and Kalappa Consultants, Mumbai.
Dean D’Cruz, Mozaic, Goa.
Riyaz Tayyibji, Anthill Design Studio, Ahmedabad.
Rajiv Soni, Communications Expert and Photographer, Kolkata.
Vijay Narnapatti, mayaPRAXIS, Bengaluru.


The following text is an edited transcript from the panel discussion recorded on August 18th, 2019.  Continue reading THE MERIT LIST 2019: PANEL DISCUSSION

In Memoriam: Kamu Iyer; A Tribute by Mary N. Woods

A Tribute by Prof Mary Norman Woods


Mary Norman Woods pens a tribute to Kamu Iyer – one of Mumbai’s most cherished architects and a much respected member of the design community in India. With his passing, we lose one of the last few keepers of the conscience of our profession – a citizen-architect who loved Mumbai and was perpetually engaged with the fate of the city through his work, his writings and his activism.

The tribute is followed by a reproduced dialogue between Kamu Iyer, Brinda Somaya and Mary Woods titled ‘Working from Mumbai‘ originally published in Brinda Somaya’s monograph titled ‘Works & Continuities’. 


Kamu Iyer (1932-2020)
Mourning and Celebrating a Friend and Mentor

Albert Mayer, American architect and planner who worked in post-Independence India, wrote about his excitement at being present at the birth of a nation. Throughout his seven decades of practice, teaching, writing, and mentoring, Kamu Iyer sustained and nurtured the “tingling atmosphere of plans and expectation” envisioned by Indians of “ability, outlook, energy, and devotion” that so impressed and inspired Mayer. Kamu embodied the ideals of the Independence struggle and hopes for a free India in his life and work. He was a mahatma, a great soul who touched so many and whose like we will not see again. Continue reading In Memoriam: Kamu Iyer; A Tribute by Mary N. Woods

An Ephemeral Lab in a City of Fixity

In a series on archival texts, views, discussions and comments on the state of architecture and design education in India,  Architect and Academic Krishnapriya Rajshekar shares from her experience as Assistant Professor at Wadiyar Centre for Architecture (WCFA), the significance of context in a studio culture, ‘making’ of a campus experience, and the intrinsic pedagogical framework embedded in an architectural education. For the curated short series, a prologue by Suprio Bhattacharjee.


PROLOGUE

BY SUPRIO BHATTACHARJEE

When I had set out to write the first essay that in many ways I had thought of as an ‘anchor’ to this series – though not a definitive, dogmatic or instructive one – as points of view, definitions, what can be determined as radical or not, etc. – all of this tends to alter and transform over time – I had never thought it could be seen as a set of ‘implied’ questions or loosely framed inquiries to which one can directly respond.

In many ways, I am indebted to Krishnapriya Rajshekar, Assistant Professor at the Wadiyar Centre for Architecture [WCFA], Mysore, for breaking this aforementioned perception I have had of my one piece of text. Continue reading An Ephemeral Lab in a City of Fixity

In Memoriam: The Objects of Aziz Kachwalla

By Anusha Narayanan

On the 14th of January, 2020, Aziz Kachwalla met with a tragic and fatal accident. Aziz Kachwalla’s work pushed the limits of material understanding through an involved and iterative design process, for objects that he often co-authored with architects and designers his firm worked with. His work demonstrated an intuitive grasp of the nature of materials he worked with, and he was often instrumental in the development of decisive details for complex design issues in products and spaces. A contextual and textural comprehension enabled him to create organic and surreal products, emanating the honesty from which they were conceived. 

To many, Aziz was an enabler, a co-conspirator and a bridge to a good product, a complex spatial assembly or a new way of looking at a material. There are very few individuals of his calibre today, who appreciate the finesse and humility demanded to execute compelling ideas with dexterity.  This editorial was originally authored by Anusha Narayanan in June 2018 for [IN]SIDE Volume 01 and Issue 02. This article is republished in memory and as a tribute to Aziz Kachwalla.


ORIGINAL: Edited from 2018 text.

With over 20 years in the product, industrial and interior design space, Aziz Kachwalla runs a practice around experimentation with materials and forms overlaid with fine craftsmanship. He is also a frequent collaborator for other architects, designers and artists of renown.

The space/studio Aziz works out of now, is a double-heighted, gritty, imperfect yet honest warehouse-turned-workshop tucked away in one of the lanes of Mazgaon, Mumbai. It has nothing to hide, no lies or pretense, similar to the nature of the designs it is home to. Resembling a theatre backstage, pieces are strewn about the space but upon observation, the emphasis on understanding each material is hard to miss. Continue reading In Memoriam: The Objects of Aziz Kachwalla