This three-point discussion sought perspectives and viewpoints on the perceivable aspects of interior design and the emerging tangential domains of the discipline – interior decoration / visual décor and styling.
INTERIOR DESIGN PRACTICE IN THE CONTEXT OF INDIA
An interior design practice when placed in the Indian context gets tied to not just our culture and aesthetics but more importantly, to how it is practised. In India, interior design has not been separated from architecture as a result of poor or no legislative or licensing control. It has, therefore, become a profession that architects adopt to create liquidity more often than not – an intermediary ball to keep rolling between architecture projects.
Continue reading Design & Décor
A Recorded Discussion with The Merit List 2018-19 Jury Panel at Goa.
The jury for The Merit List 2018-19 cycle in a conversation moderated by Mahesh Radhakrishnan of MOAD, discusses projects in the context of issues that concern practice, pedagogy and built environment that emerged in the evaluation process.
The Jury (2018-19 Cycle)
Brinda Somaya, Somaya and Kalappa Consultants, Mumbai.
Dean D’Cruz, Mozaic, Goa.
Riyaz Tayyibji, Anthill Design Studio, Ahmedabad.
Rajiv Soni, Communications Expert and Photographer, Kolkata.
Vijay Narnapatti, mayaPRAXIS, Bengaluru.
The following text is an edited transcript from the panel discussion recorded on August 18th, 2019. Continue reading THE MERIT LIST 2019: PANEL DISCUSSION
A Tribute by Prof Mary Norman Woods
Mary Norman Woods pens a tribute to Kamu Iyer – one of Mumbai’s most cherished architects and a much respected member of the design community in India. With his passing, we lose one of the last few keepers of the conscience of our profession – a citizen-architect who loved Mumbai and was perpetually engaged with the fate of the city through his work, his writings and his activism.
The tribute is followed by a reproduced dialogue between Kamu Iyer, Brinda Somaya and Mary Woods titled ‘Working from Mumbai‘ originally published in Brinda Somaya’s monograph titled ‘Works & Continuities’.
Kamu Iyer (1932-2020)
Mourning and Celebrating a Friend and Mentor
Albert Mayer, American architect and planner who worked in post-Independence India, wrote about his excitement at being present at the birth of a nation. Throughout his seven decades of practice, teaching, writing, and mentoring, Kamu Iyer sustained and nurtured the “tingling atmosphere of plans and expectation” envisioned by Indians of “ability, outlook, energy, and devotion” that so impressed and inspired Mayer. Kamu embodied the ideals of the Independence struggle and hopes for a free India in his life and work. He was a mahatma, a great soul who touched so many and whose like we will not see again. Continue reading In Memoriam: Kamu Iyer; A Tribute by Mary N. Woods
In a series on archival texts, views, discussions and comments on the state of architecture and design education in India, Architect and Academic Krishnapriya Rajshekar shares from her experience as Assistant Professor at Wadiyar Centre for Architecture (WCFA), the significance of context in a studio culture, ‘making’ of a campus experience, and the intrinsic pedagogical framework embedded in an architectural education. For the curated short series, a prologue by Suprio Bhattacharjee.
The north block, walls drawn, beyond the roof of the library at WCFA
BY SUPRIO BHATTACHARJEE
When I had set out to write the first essay that in many ways I had thought of as an ‘anchor’ to this series – though not a definitive, dogmatic or instructive one – as points of view, definitions, what can be determined as radical or not, etc. – all of this tends to alter and transform over time – I had never thought it could be seen as a set of ‘implied’ questions or loosely framed inquiries to which one can directly respond.
In many ways, I am indebted to Krishnapriya Rajshekar, Assistant Professor at the Wadiyar Centre for Architecture [WCFA], Mysore, for breaking this aforementioned perception I have had of my one piece of text. Continue reading An Ephemeral Lab in a City of Fixity
In conversation with photographer Bharath Ramamrutham, we discuss architectural photography as a discipline and a passion, and the various processes underlining a meaningful photograph.
The following text is the edited transcript from the interview with Bharath Ramamrutham, conducted on July 10th, 2020.
I. Origins [00:15]:
Bharath Ramamrutham [BR]: I grew up in a very simple traditional family. I was very fortunate because my father – an engineer and a marketing man – had a very keen sense of design. He also had an abiding interest in architecture, as well as photography.
I remember when I was about 14 years old, I asked him to get me a camera and he bought me an Agfa Click 3 (one of those really old-fashioned things, then for 35 rupees). It used to shoot monochrome film. We converted one of the bathrooms at home into a dark room and he bought an enlarger. We started processing film and making prints at home. He also travelled a lot around the world and Continue reading Bharath Ramamrutham: On Architectural Photography