A visual artist and designer who has transcended into art for social good and tech-based installations, from illustrations for children’s books, Shilo Shiv Suleman is an experimental feminist and an independent voice, representing not only herself, but other innovators and women around the globe. In an afternoon at Leopold, Anusha Narayanan got the chance to catch up with her and talk about biofeed installations.
Art is an external expression of internal discoveries: thoughts, dreams, advocacies and emotions of artists. Art in the ‘truly public’ domain is a rarity in India, but with the street art movement catalysed by the St+ART India, and independent artists such as Shilo Shiv Suleman, Anpu, Harshavardhan Kadam and more, art seems to be getting democratised. Yet as the quality of public artistic interventions at open festivals such as the Kala Ghoda Festival consistently and drastically drops, there is no room for quiet contemplation. In this quicksand, last year, I found Shilo’s work on bio-feed installations, an oasis in a desert. Continue reading In Conversation with Shilo Shiv Suleman & Heather Stewart→
In the Himalayan mountains of Kalga village in Himachal, a group of artists and designers created ‘An Allusion to a Cloud’, an installation made of light, sound and organza silk, enlivening it with the energies of dancer Wei, Ching-Jui.
Installations are fascinating objects. Or are they subjects? Perhaps both. An Allusion to a Cloud, fabricated during the KYTA artist residency, although not a public installation, is nevertheless an interesting specimen when it comes to artistic collaboration. KYTA (Karma Yatri Travel & Art) residency brings together practitioners from varied backgrounds be it Electronic and Experimental Music or Dance, Photography, Music Theory, Sculpture, Architecture and Art into one place – a village called Kalga in Himachal Pradesh – for a month. The participants work together and the confluence of these creative energies in the pristine surroundings of the mountains, fresh air and nature, produces inspiring works of art.
Engaging in a meaningful dialogue between elemental forms, alternative construction techniques and the philosophy of sustainability is the Bhatia Farm Residence by The Vrindavan Project in the rural landscape of Onde in Maharashtra.
Made of the most basic elements that represent architecture and aspirations, Stack It Up, a temporary installation for CRY built by Triple O Studio in collaboration with architectureRED on the shores of Marina Beach in Chennai, gives voice to the stifling of a child’s dreams under our present education system.
As a child, we would have all faced the big question: “what do you want to be when you grow up?”. Everyone has a different answer to this question and as we grow up these answers change and evolve. When we are young, our dreams seem somewhat naive: uninhibited by fears and blissfully ignorant of realities; later in life, they mature: they are weighed-out, guided by the education we receive, the information that is at our disposal and more often than not, what the family requires and economy favours. Mostly, our dreams turn to aspirations. A lot has been said about holistic growth of a child (or the lack of it) within the current educational system in India. However, not enough, clearly. Continue reading Stack It Up: Triple O Studio & ArchitectureRED→