Category Archives: Studio

STUDIO: Nataraj and Venkat Architects

Studio culture – as with all manifestations of the human intellect – is the embodiment of a pattern of work that nurtures the craft of building. Architecture workspaces are especially readable in this context as architects are, in this case, designing for themselves. With every workplace as distinct and specific as the work it produces, the people who design and work in these environments reveal their ideas in the space.

In this edition of the STUDIO series, we enquire about the early beginnings and work ethics of a long standing studio-culture of the Chennai-based practice Nataraj and Venkat Architects, founded by V S Nataraj and A Venkat in 1984.

Entryway: Studio NVA

A quiet pathway trails into the studio space, where dappled sunlight gently wraps its facade forming an interplay of shadows, materials and textures. Chennai-based  Nataraj & Venkat Architects [NVA] is a 30-year-old design practice, and is among the city’s pioneering firms renowned for their contemporary vernacular architecture. In a brief conversation with ThinkMatter, Principal Architect A Venkat discusses the making of a successful practice with a philosophy rooted in collaboration, competition and consciousness. Continue reading STUDIO: Nataraj and Venkat Architects

National War Memorial, Delhi: WeBe Design Lab

The National War Memorial in Delhi by Chennai-based Webe Design Lab is a built landscape that emerges from an unprecedented participatory process, programme, ambition, and typology. In its comprehension, the project creates a space of sanctitude in memory of Jawans, and of pride, and honour for their families and citizens of India, which is respectful to the context.


BACKGROUND & TIMEFRAMES


One of the most enduring images from Delhi since 1931 is the axis of India Gate, forming one of the pinnacles of the ceremonial Vijaypath (the erstwhile Rajpath or the Kings Way) – the currently debated Central Vista. The ceremonial boulevard was designated by Edwin Lutyens as the centre of what he contrived as a ‘modern imperial city’, tethering an enclave of buildings of political eminences such as Rashtrapati Bhavan (formerly the Viceroy’s Residence), Secretariat Building, Vijay Chowk, designed by Lutyens himself and Herbert Baker. Renowned as one of the foremost European designers of war memorials and graves, Edwin Lutyens designed the All India War Memorial, popular as India Gate in tribute to the soldiers martyred in the First World War from 1921-31. Beyond it, since 1972 stands the Amar Jawan Jyoti, an inverted bayonet with a soldier’s helmet – an insignia in homage to India’s victory in the 1971 war with Pakistan and to the brave soldiers who died while serving India’s armed forces. The area surrounding this is marked as the Lutyen’s Bungalow Zone (LBZ) which is also enlisted on 2002 World Monuments Watch list of 100 Most Endangered Sites. Needless to iterate, it is a site of cynosure – an avenue in focus with the ongoing debates around the Central Vista project. It is a landscape of immense cultural, historical and political significance. Continue reading National War Memorial, Delhi: WeBe Design Lab

SREE VADAKKUNNATHAN TEMPLE CONSERVATION PROJECT

BY dd ARCHITECTS

Restored through a continuous effort spanning over a decade, Sree Vadakkunnathan Temple Conservation Project was carried out under the supervision of Thrissur-based Vinod Kumar MM of dd Architects. The process focuses on the authentic with an idea of reviving traditional workmanship through an amalgamation of interdisciplinary interventions.

Located in the heart of Thrissur – the cultural capital of Kerala, Sree Vadakkunnathan Temple (incrementally built around 12th century) has played a significant role in the evolution of the temple town. Conceived as the conceptual centre of the temple town, the place continues to be a living institution in the core of the new and aggressive developments around.

Continue reading SREE VADAKKUNNATHAN TEMPLE CONSERVATION PROJECT

Crafting Metal Roofs

With R Ravindrakumar & Suhasini Ayer, Auroville


In a world of tremendously paced technological advancements, technique often supersedes skill as technology replaces craft. While alternate modes of construction and production with higher efficiency and precision levels continue to influence the building industry, there exists a sustained effort to renew processes rooted in intuition and the idea of endurance. Suhasini Ayer, Principal Architect, Auroville Design Consultants and R Ravindrakumar, Principal, Ravindrakumar Roofing Technology, shed light on aspects of sustainability and construction methodology deployed in crafting the metal, respectively.

Continue reading Crafting Metal Roofs

HIREN PATEL ON ‘MAKING’

Hiren Patel, Principal and Director, Hiren Patel Architects writes about an approach to architecture where the question of thinking in detail is central to the idea of a project and the work reaffirms this belief when it endures inhabitation over a large span of time.


DESIGN

For me, designing a building is like creating a painting on a canvas. Growing up, I always had an inclination for the arts. As a student, architecture opened up a whole new way of looking at art and design. This, I think, in some way influenced my approach towards architecture. Continue reading HIREN PATEL ON ‘MAKING’