Dean D’Cruz, co-Founder and Principal Architect of Mozaic writes about his learnings from a three-decade long tryst with the landscape of Goa, and the way in which its biodiverse terrain became the foreground of a practice in environmentally responsible architecture.
It has been 32 years since I came to Goa. In the beginning, I worked for Gerard D’Cunha and in time entered into a partnership with him which was then called Natural Architecture. This was interesting and a change for me; since my college days, I was intrigued by technology, which I loved. Earlier, as a student of architecture, I was inspired by Mies, and Corbusier for their mastery of forms. But then slowly, I began to appreciate the level of detailing in the work of architects like Gaudi. Gerard had worked closely with Laurie Baker who was always very hands-on, maintained a down-to earth approach to architecture where one actually builds oneself! So, it was a very interesting learning – this integration of technology and the Baker-approach to architecture. As I grew, I was influenced more by the humanistic approach to architecture rather than the final sculptural form.
Hiren Patel, Principal and Director, Hiren Patel Architects writes about an approach to architecture where the question of thinking in detail is central to the idea of a project and the work reaffirms this belief when it endures inhabitation over a large span of time.
The semi-covered veranda: pavilion in the middle of the site for a Village house project: structures that promote outdoor living and bear a better relationship with the natural context.
For me, designing a building is like creating a painting on a canvas. Growing up, I always had an inclination for the arts. As a student, architecture opened up a whole new way of looking at art and design. This, I think, in some way influenced my approach towards architecture. Continue reading HIREN PATEL ON ‘MAKING’→
Architecture BRIO, one of the most versatile amongst emerging practices in India, has been able to create projects with a refreshing sense of newness and surprise. This piece is an attempt to understand the key ingredients of their design process with an emphasis on the act of drawing as a negotiator of ideas.
In 2006, Shefali Balwani and Robert Verrijt established their practice – Architecture BRIO after returning from Sri Lanka where they worked with Channa Daswatte. Their initial projects were designed for Magic Bus – a non-profit organisation and entailed very efficiently resolved simple structures that enable ideas of play and interaction to manifest. Since then, their practice has engaged with works of various scales and typologies with sites in the peri-urban region of Mumbai, across India and South-East Asia. The portfolio is significantly diverse with the common themes that concern tectonics of site, formal and spatial explorations of architecture, critical reading of the programme, systems thinking, and clarity of material and detail that have characterised their work.
Studio culture – as with all manifestations of the human intellect – is the embodiment of a pattern of work that nurtures the craft of building. Architecture workspaces are especially readable in this context as architects are, in this case, designing for themselves. With every workplace as distinct and specific as the work it produces, the people who design and work in these environments reveal their ideas in the space.
In this edition of the STUDIO series, we enquire about the early beginnings and work ethics of a long standing studio-culture of the Chennai-based practice Nataraj and Venkat Architects, founded by V S Nataraj and A Venkat in 1984.
A quiet pathway trails into the studio space, where dappled sunlight gently wraps its facade forming an interplay of shadows, materials and textures. Chennai-based Nataraj & Venkat Architects [NVA] is a 30-year-old design practice, and is among the city’s pioneering firms renowned for their contemporary vernacular architecture. In a brief conversation with ThinkMatter, Principal Architect A Venkat discusses the making of a successful practice with a philosophy rooted in collaboration, competition and consciousness. Continue reading STUDIO: Nataraj and Venkat Architects→
Founded by Nitin Barchha and Disney Davis with their shared passion for design, the Mumbai-based practice ‘Material Immaterial Studio’ indulges in the sheer joy of crafting and the process of experimenting with the character of materials. The studio forges unconventional handmade curiosities which appeal to the architectural intellect as reductions of spatial scale by “exploring the bare beauty of materials”.
Every once in a while, one entertains an idea of a peculiar venture; the grounds of which tend to be less pragmatic and more whimsical. While these ideas end before they take off, Nitin and Disney fostered their fascination with materials into a unique endeavour which celebrates craftsmanship. Continue reading Material Immaterial Studio→