A public initiative, Houses of Mylapore intends to generate interest and involvement of the community to harbour an awareness about the preservation of a transient past – the cultural and architectural ethos of Mylapore – through Heritage Walks, installations, souvenirs and other activities.
“The challenge here,” explains Tahaer Zoyab of Chennai-based Triple O Studio, one of the co-founders of the Houses of Mylapore initiative in a televised interview, “is that not too many people associate an individual house as a heritage building so that is a notion that we have been trying to change through this project itself.”
Since November 2015, Tahaer and his partner, Anupriya Subbian have directed a part of their studio’s efforts along with several other volunteers to an ongoing endeavour of documenting and thereby, preserving the eclectic suburban fabric of Mylapore.
In context of the recent demolition of the Hall Of Nations, Prem Chandavarkar observes that the lacuna in understanding the definition and the meaning of heritage will lead to the loss of many valuable buildings that belong to our recent past.
A couple of weeks ago, the Hall of Nations, an exhibition hall in Pragati Maidan in New Delhi, was demolished to make way for a new convention and exhibition centre. The building was a rare example in the world, and the only one in India, of a space frame built in reinforced concrete. Completed in 1972 and designed by architect Raj Rewal and structural engineer Mahendra Raj, it was widely recognised as one of the icons of a period of modern Indian architecture that started in the 1950s and continued till the 1980s. This was an era that centred on India’s desire that the potential of her newly won freedom should offer the country a new modernity, and the cutting-edge architecture of that time, produced by the first generation of post-independence architects, was a significant and powerful representation of this quest. Continue reading What is Heritage? – Prem Chandavarkar→
Drawing from the data of the past two census exercises in Goa [2001 and 2011], this document is the outcome of a collaborative effort between Studio Matter. and Dr. Gaurav K Pandey from the Directorate of Census Operations in Goa.
For Uday and Mausami Andhare, the process of sketching and drawing by hand pivots the design process as they work through the layers of an often messy path to architectural resolution. Looking through a cross-section of the rich visual material produced as a result, we attempt to capture the many purposes of drawing at Indigo Architects.
With a career spanning four decades and a self-made legacy of some of the most significant works of Independent India, Hasmukh C. Patel’s architecture speaks volumes about the architect he embodies and the grit he possesses. A narrative of his personal and professional journey – the book showcases select 51 projects that summarise Patel’s architectural idiom in its entirety.
A monograph on the work of Prof. Christopher Charles Benninger chronicles buildings that express his transition from an architect in India to an Indian Architect outlining and emphasising on the core values of his work and the changing nature of the context that it negotiates with.
As a memoir-cum-historical and cultural repository, Boombay: From Precincts to Sprawl by Kamu Iyer captures the zeitgeist of an era in Mumbai from 1940s to the present.
“This book is different. Kamu Iyer is an architect who has lived in Mumbai all his life. He is observant, analytical and visual. He understands how people use spaces – especially public spaces. And he has a sense of History.” writes Charles Correa in his foreword to Boombay.Continue reading Boombay: From Precincts to Sprawl : Kamu Iyer→
The Design.I.Y HOUSING project offers a refreshing perspective to the monotony that otherwise defines contemporary commercial housing. In the context of Lonavala, this project by S+PS Architects proposes an alternative approach wherein the preferences of the inhabitants become integral to the development of architecture and essential to the richness of design.Continue reading Design.I.Y HOUSING: S+PS Architects→
WHAT: Cities have had a very strong relationship with bodies of water. Many were built on the banks of rivers, some were at the seaside, others were adjacent to lakes and of course in many cases cities created their own lakes and reservoirs. No city could afford to disregard the collection, storage, use-pattern and disposal of water. Water-bodies served as modes of transportation or defense; they supported livelihoods and crafts; they created open spaces that served as a release from the confines of urban congestion. In many ways water was intimately connected with the very idea of being alive. Though cities were man-made artifacts, humans felt a sense of being grateful beneficiaries, and sometimes unwitting victims, of this capricious natural element. Water, in its presence as well as absence, was both a blessing and a threat. Thus water was not just a physical fact, it was a deep psychological presence. Continue reading THE CITY AND THE WATER’S EDGE COMPETITION: KRVIA@25→
WHAT: The theme for Transparence 2016, an annual students’ competition organised by Ethos India and Saint Gobain is Space In Motion.
The programme brief is Performing Arts Centre at the Pragati Maidan complex, New Delhi.
Pragati Maidan in New Delhi has been an epicenter of culture, history and art and has been playing an active part in encouraging and showcasing this since 1972. It has also been home to several literary fests, trade fairs and theatre over the years, inspiring and nurturing artists and their art. With such a rich legacy, Transparence 2016 gives you an opportunity to design and create a Performing Arts Centre at the Pragati Maidan complex. Continue reading TRANSPARENCE 2016: Space In Motion→