CURATED BY SANGEET SHARMA
The Capital Project of Chandigarh is among the most widely discussed and debated projects in the history of Modern Architecture in India. Under the trusteeship of Prime Minister Nehru, several young Indian architects joined hands to contribute to the mammoth task of nation-building, working across diverse sectors such as buildings for Space Research & Technology, Administrative Infrastructure, Cultural & Educational Institutions and Housing. At the forefront alongside his better-known contemporaries, was Architect Shivdatt Sharma [SD Sharma], a silent but powerful contributor to the ‘modernist’ landscape of a young India. In this piece, curated and assimilated by his son and architect Sangeet Sharma, SD Sharma writes about his time working alongside Le Corbusier and as an apprentice under Pierre Jeanneret.
In an intimate note that follows, Sangeet Sharma shares instances of growing up in the newly built city of Chandigarh and working under Shivdatt Sharma as an apprentice for almost two decades. He reflects on the many relationships that he has nurtured with his father, over the years – one of a friend, philosopher and guide.
LEARNING FROM LEGENDS
Authored by Shivdatt Sharma
Le Corbusier and his associates, all being the members of CIAM, processed the pure architecture that was to be followed in the making of Chandigarh. They believed that geometry was a timeless factor in the whole universe, and was, therefore, to be followed to create purity. Continue reading In Retrospection: Shivdatt Sharma
In context of the recent demolition of the Hall Of Nations, Prem Chandavarkar observes that the lacuna in understanding the definition and the meaning of heritage will lead to the loss of many valuable buildings that belong to our recent past.
A couple of weeks ago, the Hall of Nations, an exhibition hall in Pragati Maidan in New Delhi, was demolished to make way for a new convention and exhibition centre. The building was a rare example in the world, and the only one in India, of a space frame built in reinforced concrete. Completed in 1972 and designed by architect Raj Rewal and structural engineer Mahendra Raj, it was widely recognised as one of the icons of a period of modern Indian architecture that started in the 1950s and continued till the 1980s. This was an era that centred on India’s desire that the potential of her newly won freedom should offer the country a new modernity, and the cutting-edge architecture of that time, produced by the first generation of post-independence architects, was a significant and powerful representation of this quest. Continue reading What is Heritage? – Prem Chandavarkar
by Ruturaj Parikh
A reaction to William JR Curtis‘s piece on India’s Modern Heritage titled ‘Nothing is Sacred‘.
I have grown up with modern architecture. As a child in Ahmedabad, my father used to take me to climb trees in CEPT campus and play cricket in IIM (which then had no compound wall) while vultures lined the water tank with the fake arch. I have known the Sanskar Kendra to host some nice exhibitions although as a child I never used to like the space. I was taught in architecture to consider it sacred. I am not a fan. Continue reading No Museum for Architecture