BY dd ARCHITECTS
Restored through a continuous effort spanning over a decade, Sree Vadakkunnathan Temple Conservation Project was carried out under the supervision of Thrissur-based Vinod Kumar MM of dd Architects. The process focuses on the authentic with an idea of reviving traditional workmanship through an amalgamation of interdisciplinary interventions.
Located in the heart of Thrissur – the cultural capital of Kerala, Sree Vadakkunnathan Temple (incrementally built around 12th century) has played a significant role in the evolution of the temple town. Conceived as the conceptual centre of the temple town, the place continues to be a living institution in the core of the new and aggressive developments around.
An aerial view of the Vadakkunnathan Temple precinct positioned centrally in the dense urban fabric of Thrissur
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With a collection of essays on preserving our architectural heritage, Kulbhushan Jain attempts to spark the ever-passive conversation on conservation practices in India: the good, the bad and the ignored parts of it; in his recent work titled- ‘Conserving Architecture’. The compendium discusses the multifarious approaches that are needed to address the grey area between heritage and modernity, the need to find a common ground between the two. Continue reading Book: CONSERVING ARCHITECTURE BY KULBHUSHAN JAIN [Ed]
A public initiative, Houses of Mylapore intends to generate interest and involvement of the community to harbour an awareness about the preservation of a transient past – the cultural and architectural ethos of Mylapore – through Heritage Walks, installations, souvenirs and other activities.
“The challenge here,” explains Tahaer Zoyab of Chennai-based Triple O Studio, one of the co-founders of the Houses of Mylapore initiative in a televised interview, “is that not too many people associate an individual house as a heritage building so that is a notion that we have been trying to change through this project itself.”
Since November 2015, Tahaer and his partner, Anupriya Subbian have directed a part of their studio’s efforts along with several other volunteers to an ongoing endeavour of documenting and thereby, preserving the eclectic suburban fabric of Mylapore.
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In context of the recent demolition of the Hall Of Nations, Prem Chandavarkar observes that the lacuna in understanding the definition and the meaning of heritage will lead to the loss of many valuable buildings that belong to our recent past.
A couple of weeks ago, the Hall of Nations, an exhibition hall in Pragati Maidan in New Delhi, was demolished to make way for a new convention and exhibition centre. The building was a rare example in the world, and the only one in India, of a space frame built in reinforced concrete. Completed in 1972 and designed by architect Raj Rewal and structural engineer Mahendra Raj, it was widely recognised as one of the icons of a period of modern Indian architecture that started in the 1950s and continued till the 1980s. This was an era that centred on India’s desire that the potential of her newly won freedom should offer the country a new modernity, and the cutting-edge architecture of that time, produced by the first generation of post-independence architects, was a significant and powerful representation of this quest. Continue reading What is Heritage? – Prem Chandavarkar
Through the illustration of the usage of oxide in making of floors and surfaces, this is an attempt to revisit the firmly rooted existence of this valuable building art. It is an elaboration on the uniqueness of a material which expresses through its end product a narrative of its locally crafted creation and the growth of a skill over centuries, which makes it exclusive for an informed pick in design practice.
Oxide, as a raw material, has contributed significantly to the manifested choices of finishes for the built surfaces in architectural spaces. Its earthy, warm and tantalising texture has time immemorially instigated masses and not just practitioners, to reconnect with myriad associations of traditional charm and value of building craftsmanship. By being used as an agent in preparation of floors, walls and other surfaces in typical shades as cherry, crimson, ruby or scarlet, its practice has been polished and perfected to become a selective building process in concentrated parts of India like Kerala, coastal Karnataka and interior Tamil Nadu. Continue reading Oxide: Beyond a material