Industrial Playground (now a part of Rubberband) – a furniture design initiative by Ajay Shah Design Studio [ASDS] – juxtaposes playful formal and visual qualities of the objects they make with process-driven industrial manufacturing for characteristic precision and uniformity. Their contemporary aesthetic is derived from the intrinsic quality of materials they work with and the nature of this specific process.
Design, in a context like that of India, can mean many things. From improvisations on existing situations to ideas that are points of the genesis of the new and unexplored avenues; the context of a developing nation enables one to deal with a range of unprecedented challenges. In 1990, Ajay Shah, then a young NID graduate, founded the Circus Design Company after a few stints of working as a designer and a furniture producer. This new company was imagined to be a multi-disciplinary design firm that dealt with design as the process of thought rather than a professional service. The conceptual framework of the present-day Ajay Shah Design Studio can be traced back to this office. Continue reading [IN]SIDE: Design of the Idea with Ajay Shah Design Studio [ASDS]→
Published by SID Research Cell at the CEPT University, Rishav Jain’s book on ‘Crafts in Interior Architecture’ takes a critical view of the history of building crafts in the context of space-making while analysing recent attitudes towards their integration in contemporary work.
Historically, building crafts have been an intrinsic part of making architecture in India. We have all known and been intimate with the practice. In the Indian context, the idea of ‘kala’ is rooted in many ways of working with materials and mediums. There is a great significance to the relationship of the artisan with the architecture of our subcontinent. There are, of course, many and complex layers of this relationship. That is where this book dwells. Continue reading Crafts in Interior Architecture: India. 1990 Onwards.→
Melbourne and Mumbai-based practice Young Citizens curates the transition of a derelict bus shelter into a training centre for WomenWeave with a hands-on engagement with the process, context and the users. Sian Pascale, Founder of Young Citizens elaborates on her ideas and experiences with the project in an interview accompanying the feature.