The contribution of the history of modern architecture in India is unparalleled in terms of the many experiments that were embarked upon in search of spatial and social innovations that were responsive to the cultural, social, political and economic landscape of India. At a time when architecture in India needs a critical review, it is this history that serves as a reference and a foundation.
Indian waters and waterscapes are replete with political ambitions, cultural affinities, environmental compulsions, and mythology. From the ornate subterranean water structures of Bundi in south-eastern Rajasthan to the unique Vasanta-Mandapas or the spring pavilions of Tamil Nadu; the book is an account of water histories woven into the landscapes of different time periods in Indian History.
“Architecture negotiates space, it designs space. When it engages with water, it designs water.”– Jutta Jain-Neubauer
At its core, Water Design: Environment & Histories explores this intrinsic relationship between water and space in India – the negotiations in built and unbuilt space, in social, ritual and sacred space, in real and metamorphic space. Looking at the structural and aesthetic figurations of water and waterscapes, it opens discussions within a larger cultural and spiritual worldview of these rich ensembles. Continue reading Book: Water Design : Environment and Histories | Edited by Jutta Jain-Neubauer→
Through a visual journey, acclaimed photographer Ram Rahman talks about a critical time for architecture in India – from Independence to Economic Liberalization – as we observe the anxiety of architectural positions in times of uncertainty and struggle for identity.
In India, masters are revered and apprentices forgotten. But it is the apprentices who religiously took the message, the art and the knowledge across India from the first generation of experimenters till the generation of architects and designers who work in an economically liberal India.
This video [with Ram in the background narrative] takes one through an incredibly rich history of the architecture of post-independence India when the socialist ideology worked through democracy creating a fertile ground for experiments in housing and civic architecture. This time stands in stark contrast to the present as the patterns of patronage change and the state becomes increasingly impervious to the core issues.
Ram Rahman is a photographer, designer, curator and activist based in Delhi. He has been an observer of modern movement in architecture in post-colonial India. Using photography as a window to history and the present, he observes the changing landscape of architecture, design and art in India.
He is one of the founding members of the Safdar Hashmi Memorial Trust. Ram Rahman has studied Physics from MIT followed by Graphic Design from Yale.
This presentation is excerpted from a closed-door session with MoMA‘s C-MAP Asia Group in June 2015.
Brinda Somaya explains a critical period of architecture practice in India that connects the ‘masters’ to the contemporary practices outlining the nature of work in an era that helped India come to terms with its modernity by minting the term ‘The Bridge Generation’.
I believe I belong to the first generation of practising Architects to be born after India got her freedom. For ease of reference and to give us a sense of identity I have coined the term “Architecture in India – The Bridge Generation” after a great deal of reflection and thought. The term evolved in my mind as I believe we ‘bridged’ the architectural space between the Great Masters and the current generation that continues to enter the global architectural space. Continue reading Architecture in India – The Bridge Generation→