Hiren Patel, Principal and Director, Hiren Patel Architects writes about an approach to architecture where the question of thinking in detail is central to the idea of a project and the work reaffirms this belief when it endures inhabitation over a large span of time.
The semi-covered veranda: pavilion in the middle of the site for a Village house project: structures that promote outdoor living and bear a better relationship with the natural context.
For me, designing a building is like creating a painting on a canvas. Growing up, I always had an inclination for the arts. As a student, architecture opened up a whole new way of looking at art and design. This, I think, in some way influenced my approach towards architecture. Continue reading HIREN PATEL ON ‘MAKING’→
An editorial project by Matter in partnership with Şişecam Flat Glass, PRAXIS investigates the work and positions of diverse contemporary architecture practices in India. Rohan Chavan of Mumbai-based RC Architects elaborates on the events, influences and inspirations he carries within him as he designs evocative spaces in the public and private realm. The interview explores the intents and concerns that Rohan deals with through his engagement with professional practice and academics.
A Recorded Lecture from FRAME Conclave 2019: Modern Heritage
In this lecture, Pratyush Shankar speaks about the development of cities during the pre-modernist period between 1880-1940. He also addresses the role of two architects, Patrick Geddes and Otto Königsberger, who were deeply involved in the movement. The talk also emphasises on the the evolution and questions of the City, of social institutions and public spaces.
If you really, really need to understand what happened in the 1950s, you must understand what happened between 1880s and 1930s because it is an important period. And that is where actually I would like to begin.
My presentation is not really on architecture, but it is on cities. Well, that is an area of interest. That is something I have been researching for a very long time. I have been looking at cities from a historical perspective; and these days I am particularly curious about the period that I have listed here. I think it is relevant for the theme of this conference also, and I will give you a couple of reasons why I feel it is relevant to look at this period.
An editorial project by Matter in partnership with Şişecam Flat Glass, PRAXIS investigates the work and positions of diverse contemporary architecture practices in India. We discuss the core concerns and architectural preoccupations of Bengaluru-based BetweenSpaces; a partnership that designs buildings with restraint, and a keen focus on spatial quality and articulation.
In conversation with photographer Randhir Singh, we discuss the critical aspects behind the cognisance of capturing a pertinent architectural photograph, as well as the methods which assist the process.
The following text is the edited transcript from the conversation with Randhir Singh, conducted on February 10th, 2021
Chapter 01: ORIGINS [00:20]
Part I – Education [00:27]
I studied architecture – in the US – and I worked as an architect for fifteen years, in New York. While I was working there, I started photographing the projects that our office was doing, (and) I photographed projects that my friends were doing, and it built that way. In college, I did a semester abroad in Italy, and that was actually the first time I really made pictures with any sort of seriousness. I had a little Cannon film camera, and we traveled all over the country and spent a lot of time in Rome.