An editorial project by Matter in partnership with Şişecam Flat Glass, PRAXIS investigates the work and positions of diverse contemporary architecture practices in India. We discuss the practice, processes and positions of Mumbai-based Case Design; an office deeply invested in the potential of making in the diverse contexts of their work as they share their understanding of architecture and design as a question of culture. Their work touches upon a wide spectrum of concerns – from the fine detail to the large idea – within the ethos of the studio.
An editorial project by Matter in partnership with Şişecam Flat Glass, PRAXIS investigates the work and positions of diverse contemporary architecture practices in India. Mayuri Sisodia and Kalpit Ashar of Mad(e) in Mumbai talk about the significance of working in the public realm and the many small projects that contribute to the everyday experience of the city. The discussion focuses on their processes as an architect-citizen in the making of the city encouraging our ability to engage relentlessly with systems that influence our urban environments.
An editorial project by Matter in partnership with Şişecam Flat Glass, PRAXIS investigates the work and positions of diverse contemporary architecture practices in India. Rohan Chavan of Mumbai-based RC Architects elaborates on the events, influences and inspirations he carries within him as he designs evocative spaces in the public and private realm. The interview explores the intents and concerns that Rohan deals with through his engagement with professional practice and academics.
The City Observed by Pallavi Shrivastava reads like dispatches from a battlefront by a seasoned war correspondent. Each chapter is a stimulating vignette of some memorable place, or recently contrived artifact, through which Pallavi unravels counter intuitive conclusions. Pallavi has two eyes and many voices. Those two eyes see things often unnoticed, bringing into focus a collage of real life issues and human circumstances. She has an uncanny ability to conceive of the metropolis as an everyday person would, yet to catalyze unique understandings and conclusions from her choreographies! She navigates the metropolis building narratives out of keen insights, speaking for those without voices; giving eyes to people who have eyes, but no vision. Pallavi’s most provocative ability is to reveal contradictions between the emerging urban form and the critical needs of the everyday Mumbaikar, who emerges forgotten in the unfolding scenario. Her written landscapes reveal disturbing images of the bad within the good, and of poverty within plenty. From bright images emerge a sense of charm, tinged by nostalgia for the city’s past, yet a warning of pathos in times to come.