A monograph on the work of Prof. Christopher Charles Benninger chronicles buildings that express his transition from an architect in India to an Indian Architect outlining and emphasising on the core values of his work and the changing nature of the context that it negotiates with.
As a memoir-cum-historical and cultural repository, Boombay: From Precincts to Sprawl by Kamu Iyer captures the zeitgeist of an era in Mumbai from 1940s to the present.
“This book is different. Kamu Iyer is an architect who has lived in Mumbai all his life. He is observant, analytical and visual. He understands how people use spaces – especially public spaces. And he has a sense of History.” writes Charles Correa in his foreword to Boombay. Continue reading Boombay: From Precincts to Sprawl : Kamu Iyer
Conceived, conducted and edited by Narendra Dengle
Encompassing a staggering 50 years of architectural practice across seven Indian Master Architects, the book engages in profound discussions that one can go back to as learnings. Presenting them as multi-faceted personalities, it captures each of their intriguing journeys – as aspiring students of architecture to inspiring architects who laid the architectural touchstone of an Independent India.
The book is a rare compilation of intimate conversations conducted over a period of seven years with seven of India’s most senior Architects – Achyut Kanvinde, Raj Rewal, Anant Raje, Hasmukh Patel, B V Doshi, Uttam C Jain and Charles Correa. Each of these dialogues is curated by author – conductor Narendra Dengle with a live audience to facilitate participation from students, practitioners, and academics from architecture and other diverse disciplines. This he intended would commence discussions on a number of aspects – social, historical, and interdisciplinary.
By Anusha Narayanan
A visual artist and designer who has transcended into art for social good and tech-based installations, from illustrations for children’s books, Shilo Shiv Suleman is an experimental feminist and an independent voice, representing not only herself, but other innovators and women around the globe. In an afternoon at Leopold, Anusha Narayanan got the chance to catch up with her and talk about biofeed installations.
Art is an external expression of internal discoveries: thoughts, dreams, advocacies and emotions of artists. Art in the ‘truly public’ domain is a rarity in India, but with the street art movement catalysed by the St+ART India, and independent artists such as Shilo Shiv Suleman, Anpu, Harshavardhan Kadam and more, art seems to be getting democratised. Yet as the quality of public artistic interventions at open festivals such as the Kala Ghoda Festival consistently and drastically drops, there is no room for quiet contemplation. In this quicksand, last year, I found Shilo’s work on bio-feed installations, an oasis in a desert. Continue reading In Conversation with Shilo Shiv Suleman & Heather Stewart
Book by Rishav Jain
Published by SID Research Cell at the CEPT University, Rishav Jain’s book on ‘Crafts in Interior Architecture’ takes a critical view of the history of building crafts in the context of space-making while analysing recent attitudes towards their integration in contemporary work.
Historically, building crafts have been an intrinsic part of making architecture in India. We have all known and been intimate with the practice. In the Indian context, the idea of ‘kala’ is rooted in many ways of working with materials and mediums. There is a great significance to the relationship of the artisan with the architecture of our subcontinent. There are, of course, many and complex layers of this relationship. That is where this book dwells. Continue reading Crafts in Interior Architecture: India. 1990 Onwards.