Almost 60 years since its inception, Shaun Fynn takes his lens deep into the streets of Chandigarh capturing how Le Corbusier’s experiment dwells today in the urban context, in his book Chandigarh Revealed: Le Corbusier’s city today. Continue reading CHANDIGARH REVEALED: LE CORBUSIER’S CITY TODAY | PHOTOGRAPHS AND TEXT BY SHAUN FYNN
WHAT: The Symposium will be the culminating event of the series of activities starting from 27 August 2015 to commemorate Le Corbusier 50th death anniversary, to go on to celebrate his birth anniversary falling on the 6 October as well as Chandigarh’s official inauguration on 7 October 1953.
The objectives of the Symposium are to reflect on Le Corbusier contribution to Modernism, as an overview – his myriad talents as an artist, architect, theorist and writer; and the synthesis of all these as manifested through his projects globally. Continue reading Celebrating Le Corbusier’s Chandigarh: International Symposium
WHAT: There are various elements of Chandigarh, that were conceived by Le Corbusier but remained confined to documents, pictures and archives. Despite being the symbol and identity of the city for many years, the Capitol complex is still incomplete, for a fourth building, the Museum of Knowledge was planned to accompany the existing Secretariat, Assembly Hall and High Court. The MoK, according to Corbusier was to function as a decision-making or a briefing centre for the government officials, highlighting the importance and applied use of technology and electronics in processing, synthesising and presenting large bodies of information related to the state matters.
The aim of this competition is to design the Museum of Knowledge (MoK) at the original cumulative site of the then proposed MoK and Martyr’s memorial in the Capitol Complex. Continue reading CHANDIGARH UNBUILT: Completing the Capitol
A Conversation between William J.R. Curtis and an Unknown Indian.
UI You are known around the world as a historian and critic of architecture who defends quality against mediocrity, and who maintains a long view of events. In a recent article, ‘Nothing is Sacred: Threats to Modern Masterpieces in India’, (Architectural Review, April 2014)*, you have sounded the alert about the vulnerability of major works in India such as those by Le Corbusier and Louis Kahn in Ahmedabad, and of course those by Le Corbusier in Chandigarh. Subsequently in the Times of India you have argued in favour of the legal definition and defence of modern architectural heritage. What are these threats and what can be done to protect these universal masterpieces of modern architecture? Continue reading Protecting Modern Masterpieces in India