Category Archives: Design Thinking

In Memoriam: The Objects of Aziz Kachwalla

By Anusha Narayanan

On the 14th of January, 2020, Aziz Kachwalla met with a tragic and fatal accident. Aziz Kachwalla’s work pushed the limits of material understanding through an involved and iterative design process, for objects that he often co-authored with architects and designers his firm worked with. His work demonstrated an intuitive grasp of the nature of materials he worked with, and he was often instrumental in the development of decisive details for complex design issues in products and spaces. A contextual and textural comprehension enabled him to create organic and surreal products, emanating the honesty from which they were conceived. 

To many, Aziz was an enabler, a co-conspirator and a bridge to a good product, a complex spatial assembly or a new way of looking at a material. There are very few individuals of his calibre today, who appreciate the finesse and humility demanded to execute compelling ideas with dexterity.  This editorial was originally authored by Anusha Narayanan in June 2018 for [IN]SIDE Volume 01 and Issue 02. This article is republished in memory and as a tribute to Aziz Kachwalla.


ORIGINAL: Edited from 2018 text.

With over 20 years in the product, industrial and interior design space, Aziz Kachwalla runs a practice around experimentation with materials and forms overlaid with fine craftsmanship. He is also a frequent collaborator for other architects, designers and artists of renown.

The space/studio Aziz works out of now, is a double-heighted, gritty, imperfect yet honest warehouse-turned-workshop tucked away in one of the lanes of Mazgaon, Mumbai. It has nothing to hide, no lies or pretense, similar to the nature of the designs it is home to. Resembling a theatre backstage, pieces are strewn about the space but upon observation, the emphasis on understanding each material is hard to miss. Continue reading In Memoriam: The Objects of Aziz Kachwalla

SREE VADAKKUNNATHAN TEMPLE CONSERVATION PROJECT

BY dd ARCHITECTS

Restored through a continuous effort spanning over a decade, Sree Vadakkunnathan Temple Conservation Project was carried out under the supervision of Thrissur-based Vinod Kumar MM of dd Architects. The process focuses on the authentic with an idea of reviving traditional workmanship through an amalgamation of interdisciplinary interventions.

Located in the heart of Thrissur – the cultural capital of Kerala, Sree Vadakkunnathan Temple (incrementally built around 12th century) has played a significant role in the evolution of the temple town. Conceived as the conceptual centre of the temple town, the place continues to be a living institution in the core of the new and aggressive developments around.

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Crafting Metal Roofs

With R Ravindrakumar & Suhasini Ayer, Auroville


In a world of tremendously paced technological advancements, technique often supersedes skill as technology replaces craft. While alternate modes of construction and production with higher efficiency and precision levels continue to influence the building industry, there exists a sustained effort to renew processes rooted in intuition and the idea of endurance. Suhasini Ayer, Principal Architect, Auroville Design Consultants and R Ravindrakumar, Principal, Ravindrakumar Roofing Technology, shed light on aspects of sustainability and construction methodology deployed in crafting the metal, respectively.

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Book: ‘Plastic Emotions’ reviewed by David Robson

David Robson pens a critical review of a recent book by Shiromi Pinto that creates a fictional story based on a relationship between celebrated Sri Lankan architect Minnette De Silva and global architectural icon Le Corbusier.


Book by Shiromi Pinto
Reviewed by David Robson

PLASTIC TRUTHS

The writer Shiromi Pinto has recently published her own fictionalised account of the life of Sri Lankan architect Minnette de Silva under the bizarre and inexplicable title ‘Plastic Emotions’. Apparently, in this Trumpian world of fake news and casual lies, it has become acceptable for writers to take the lives of real people and re-cast them to suit their own purposes. But can such cavalier distortions ever be justified if, along the way, the personality of the protagonist is distorted beyond recognition, if the people who surrounded her are pilloried, if her achievements devalued and her ideas misrepresented?

Continue reading Book: ‘Plastic Emotions’ reviewed by David Robson

Exploring Emergent Architecture by Studio Advaita

The architecture of Studio Advaita taps into the essential purpose of building with structure, skin, and details that are contextual and inspired from the immediate: a practice where the eye draws from observations of cultural and historical contexts. 

Shivsagar School, Assam


Reflecting on the past, there still exists a recollection of a time where good architecture was once identified with spaces of worship such as Temple Architecture, or with structures of power such as kingdoms, forts, and assemblies- among many other forms of public architecture. Today, the scope has broadened and architecture is mostly a setting for everyday, ordinary activities. Despite this familiarity of architecture in our everyday lives, very often we find ourselves asking, “What is good architecture?” Continue reading Exploring Emergent Architecture by Studio Advaita