In conversation with Ratan Batliboi, Principal, Ratan J. Batliboi Consultants, we discuss exhibition design as a discipline and an area of his creative endeavour, drawing from his exhaustive portfolio in design of an array of temporary and permanent exhibitions and his insight into the processes that work on the front and back-end of the experience.
In a curated series on archival texts, views, discussions and comments on the state of architecture and design education in India, Prem Chandavarkar assesses the state of architectural education and the role of the Council, the practice and the institution in an increasingly urban India- outlining his thoughts on an appropriate paradigm for an architecture school and the urgency for a competitive standard of excellence.
Stories of intention, aspiration and imagination form a gently woven fabric of implicit and explicit meanings that often transcend into a collective reality. Architecture enables these stories.
Narrated by Principal Architect of Somaya and Kalappa Consultants (SNK) Brinda Somaya, BRINDA SOMAYA: Works and Continuities is an inspiring autobiographical account of stories of a gratifying practice. Continue reading Brinda Somaya: Works & Continuities
For the last decade and more, I have called a place designed by Hasmukh C. Patel; ‘Home!’
My apartment is on the ‘4th Floor’, which happens to be the eighth level, as each apartment is a duplex with rooms organized around a double height living room. A large balcony overlooks a public park and a sculptural stair physically connects the rooms. There are days when we forget we are living seventy feet above the street- there is something grounded about the way the apartment works. Our children often refer to our lowest bedroom as ‘the basement’. There is no sense of disconnection, no sense of the typically isolated
apartment. This is not a ‘flat’ that is born from Continue reading TRIBUTE: Hasmukh C. Patel, (7 December 1933 – 20 January 2018) by RIYAZ TAYYIBJI
In this edition of ‘Architects on Architecture’, we speak with Manit Rastogi of Morphogenesis about his practice, design thinking and pedagogy, and the nature of architectural patronage in India today.
Exploring temporal movements of a banal urbanity through a cinematic experience- composed of vivid historical footage interwoven into the everyday hustle in the life of a modern Indian citizen; the film attempts to reflect on modernity in space and time in a manner that is true to a lived experience.
Architect Ini Chatterji’s studio and workshop – the ‘Ice Factory’, and the Coconut House coexist in the beautiful landscape of Olaulim, Goa. The images and film attempt to capture the ‘atmosphere’ of the place.
Studio culture – as with all manifestations of the human intellect – is the embodiment of a pattern of work that nurtures the craft of building. Architecture workspaces are especially readable in this context as architects are, in this case, designing for themselves. With every workplace as distinct and specific as the work it produces, the people who design and work in these environments reveal their ideas in the space.
In this first edition of the STUDIO series, we enquire about the processes, approaches, work ethics, and the trajectory of a young, Bengaluru-based BetweenSpaces led by architects Pramod Jaiswal and Divya Ethirajan. Continue reading STUDIO: BetweenSpaces
In this edition of ‘Architects on Architecture’ series, we speak with Gaurav Roy Choudhury of GRCA about his influences, practice, design thinking and pedagogy, and engagement with the discourse of architecture in India today.
In a curated series on archival texts, views, discussions and comments on the state of architecture and design education in India, Professor Chhaya critically questions the idea and role of an institution in an increasingly multidisciplinary design world, outlining his thoughts on a desired model for an architecture school and the values associated with the same.