An editorial project by Matter in partnership with Şişecam Flat Glass, PRAXIS investigates the work and positions of diverse contemporary architecture practices in India.We discuss the many dimensions of working with heritage – architectural, urban and cultural – with Delhi-based Aishwarya Tipnis and the people at Aishwarya Tipnis Architects. The discussion also focuses on the idea of heritage and conservation in a diverse, rich and complex landscape of India; and the numerous ideological positions that enable them to navigate the challenges of dealing with the past.
Afflicted with bureaucratic hurdles and unsettling realities, the condition of living heritage in the country is grave. At a time when the practice of urban heritage conservation has seen a paradigm shift to ‘beautification’, the meticulous restoration of St John the Baptist Church by Mumbai-based Vikas Dilawari Architects resurfaces the need for patronage in conservation.
Working with an intuitive palette of materials and minimal interventions, Pune-based Khushru Irani Design Studio (KIDS) artfully restore an old structure combining contemporary detailing with much of its original splendour, partly to be used as their studio and a space for events open to the community.
Occupying an idyllic corner of a busy thoroughfare within the Pune Cantonment area is a 100 year old building. An unassuming verandah peeps down on to the street midway from its three-storeyed façade – the entrance to the studio of Pune-based architectural practice Khushru Irani Design Studio(KIDS). With its sloping roofs, a verandah with wooden railings, seasoned doors & windows, a stone staircase and plastered brick walls, the building bears a distinct characteristic. It may feel akin to chancing upon on a long-forgotten secret. Continue reading Studio 877: Khushru Irani Design Studio→