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NID’s Early Years: An Indian Experiment of Global Relevance

Ashoke Chatterjee

A Recorded Lecture from FRAME Conclave 2019: Modern Heritage


In this lecture, Ashoke Chatterjee talks about the inception of the National Institute of Design in Ahmedabad, its formative years, the pedagogy provided to the students, the experiments with the curriculum, the challenges, successes, and failures it faced in becoming the ‘world-class’ institute it sought out to be today.

Edited Transcript

I am delighted to have this opportunity to be back in Goa after forty-one years. The last time I came here, it was to assist the Government of Goa with a study of its ‘carrying capacity’ for tourism: how would Goa manage the growth of tourism in coming years? This might mean tough decisions of planning and control. I need not tell you that my report was trashed long before the Hall of Nations. Goa is clearly still struggling with those issues, but it is good to be back. I am grateful to the organizers, to FRAME Conclave for inviting me.

Let me start by indicating that this talk will be a very personal view of one part of contemporary Indian design history. It will focus on the experience of one institution, the National Institute of Design, its educators, and those who studied there. It will cover some years of a larger institutional history as well as design in modern India. Yet NID has been a catalyst, so it is valid to draw on an experience which has been unique not only in India but in a global context.

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[BOOK] Spaces in Time: A Life in Architecture by Ramu Katakam

This book puts into print the universe of architect Ramu Katakam’s ideas, inspirations and thoughts and their translation into his work. The essays and accompanying visuals chronicle the initiation and growth of a practice in the context of a newly independent India. Spaces in Time: A Life in Architecture passes down an intuitive model of design to a new generation of architects.

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Fabien Charuau: On Photography

In conversation with Fabien Charuau, as he discusses the ideological evolution of the “photographic”. He delves into the potential that photography and digital art offer, to make commentaries on our social landscapes.



The following text is the edited transcript of the conversation with Fabien Charuau, conducted on the 15th of July, 2022.


[00:25]
CHAPTER 01: ORIGINS

It was a bit of a convoluted start for me; my entry into photography. I studied engineering, and I come from a scientific background. Photography was an accident which happened in my journey through life. I did not work for too long as an engineer, as I did not have much interest in it. I wanted to be in a more creative zone, and photography gave me the opportunity to do that.

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[BOOK] Architecture Travelogues: Drawing between the Lines by Edgar Demello

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PRAXIS 21 | Hundredhands

An editorial project by Matter in partnership with Şişecam Flat Glass, PRAXIS investigates the work and positions of diverse contemporary architecture practices in India. This episode features a discussion with Sunitha Kondur and Bijoy Ramachandran from the Bengaluru-based practice, Hundredhands. Their work spans public and private typologies with an intent to navigate abstract as well as real world conditions. Reflecting on their journey from the years of study at MIT, collaborations within and outside India, family, peer groups in Bengaluru, the conversation delves into the grounding influences and ideologies that have shaped over twenty years of practice. At the core of the practice is, as they articulate, ‘how does one create places of intimacy, places for congregation, places for celebration’.

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