Blueprint is a narrative of Gautam Bhatia’s work juxtaposed on his larger cultural projects, and his experiments with complexity and context.
The Building as a Metaphor
A chronicle of work can be many things – a catalogue, a celebration and a critique. This one is an uncanny montage of ideas and images: a personal retrospective into the architectural journey of one of the sharpest spatial thinkers in India.
The architecture of Gautam Bhatia is difficult to reconcile for a casual observer. What are his concerns? What is he trying to achieve? The work itself – as evidenced by the book – is eclectic, diverse and seemingly inconsistent. The projects themselves deal with an array of scales, programmes and situations moving from historic preservation and rejuvenation projects to urban design; From the ‘Palace’ to the ‘Mountain House’.
The City Observed by Pallavi Shrivastava reads like dispatches from a battlefront by a seasoned war correspondent. Each chapter is a stimulating vignette of some memorable place, or recently contrived artifact, through which Pallavi unravels counter intuitive conclusions. Pallavi has two eyes and many voices. Those two eyes see things often unnoticed, bringing into focus a collage of real life issues and human circumstances. She has an uncanny ability to conceive of the metropolis as an everyday person would, yet to catalyze unique understandings and conclusions from her choreographies! She navigates the metropolis building narratives out of keen insights, speaking for those without voices; giving eyes to people who have eyes, but no vision. Pallavi’s most provocative ability is to reveal contradictions between the emerging urban form and the critical needs of the everyday Mumbaikar, who emerges forgotten in the unfolding scenario. Her written landscapes reveal disturbing images of the bad within the good, and of poverty within plenty. From bright images emerge a sense of charm, tinged by nostalgia for the city’s past, yet a warning of pathos in times to come.