Category Archives: Modern Heritage

Doshi: The Master of Elastic Time

Lecture and Text: Bijoy Ramachandran
Film: Cinematographed, Edited and Directed by Premjit Ramachandran; Conceived and Researched by Bijoy Ramachandran (© Hinterland Films)

In this lecture, Bijoy Ramachandran articulates his reading of the works and thoughts of Pritzker Laureate Dr Balkrishna Doshi through the multiple encounters with his buildings that include the seminal IIM Bangalore, NIFT Delhi Campus and the Diamond Bourse. The talk also outlines the influence of the numerous interactions Bijoy has had with Doshi over the years.

 

In 2009, Bijoy collaborated with his brother and filmmaker Premjit Ramachandran to author and produce Doshi – a film on the celebrated indian architect. In 2019, and with a gap of ten years, they collaborated again to script and produce the second film ‘Doshi: Return to Formlessness‘ – an intimate portrait of the architect with immersive and enduring glimpses of some of his celebrated buildings.

Images and Film: Courtesy Bijoy Ramachandran and Premjit Ramachandran. The talk and the film were presented at the FRAME 2019 conclave ‘Modern Heritage’. 

Continue reading Doshi: The Master of Elastic Time

‘India: Modern Architectures in History’

Peter Scriver

A Recorded Lecture from FRAME Conclave 2019: Modern Heritage


In this lecture, Prof Peter Scriver articulates a historical perspective on the changes and challenges of Modern Architecture in India since Independence. The talk also dwells on the Nation-building efforts, the nation-builders and the significance of this body of work in contemporary India.


Edited Transcript

Welcome, everybody. Just before I proceed, I just want to show due credit to my colleague, Prem Chandavarkar for a profoundly significant opening thought-piece for us to all think about in the days ahead.

I think FRAME Conclave’s expectation of what I might do was to also help set up some ideas, but they will be far more humble, and they are more prosaically engaged with the stuff of the architecture around us and the careers of many of the people in the room, and some of the backgrounds that I have had the opportunity to observe over a number of years. This talk will open up some of that perspective for you and hopefully also be of some use.

But I guess I just wanted to note particularly how a term that Prem, someone among many in the room that I have known for some years, this architecture, the background, your final point, which you published about and talked about in the past. I think I have a much deeper understanding now of what you really mean by that. So thank you for putting those thoughts together. Continue reading ‘India: Modern Architectures in History’

MODERN HERITAGE: IIM, Bangalore

Designed by Balkrishna Doshi / Vāstu Shilpā Consultants, the Indian Institute of Management in Bangalore is an important site for the heritage of modern architecture in India – a study in the possibility for architecture to assimilate time and human presence in a composition of the built, open and in-between spaces.


Photos and Film: Ruturaj Parikh; Edited by Isha Raut ©Studio Matter
Drawings: Vāstu Shilpā Consultants; Courtesy Khushnu Panthaky Hoof



The Plan as a Generator

The Indian Institute of Management campus in Bangalore occupies about 54,000 square meters within a 100-acre site. Designed as a poly-nuclear plan, the overall spatial arrangement relies on a series of intersecting corridors that form the basic skeletal structure.

Continue reading MODERN HERITAGE: IIM, Bangalore

MODERN HERITAGE: In Retrospection: Shivdatt Sharma

CURATED BY SANGEET SHARMA

The Capital Project of Chandigarh is among the most widely discussed and debated projects in the history of Modern Architecture in India. Under the trusteeship of Prime Minister Nehru, several young Indian architects joined hands to contribute to the mammoth task of nation-building, working across diverse sectors such as buildings for Space Research & Technology, Administrative Infrastructure, Cultural & Educational Institutions and Housing. At the forefront alongside his better-known contemporaries, was Architect Shivdatt Sharma [SD Sharma], a silent but powerful contributor to the ‘modernist’ landscape of a young India. In this piece, curated and assimilated by his son and architect Sangeet Sharma, SD Sharma writes about his time working alongside Le Corbusier and as an apprentice under Pierre Jeanneret

In an intimate note that follows, Sangeet Sharma shares instances of growing up in the newly built city of Chandigarh and working under Shivdatt Sharma as an apprentice for almost two decades. He reflects on the many relationships that he has nurtured with his father, over the years – one of a friend, philosopher and guide.


LEARNING FROM LEGENDS
Authored by Shivdatt Sharma

Le Corbusier and his associates, all being the members of CIAM, processed the pure architecture that was to be followed in the making of Chandigarh. They believed that geometry was a timeless factor in the whole universe, and was, therefore, to be followed to create purity. Continue reading MODERN HERITAGE: In Retrospection: Shivdatt Sharma

MODERN HERITAGE: Listing

The contribution of the history of modern architecture in India is unparalleled in terms of the many experiments that were embarked upon in search of spatial and social innovations that were responsive to the cultural, social, political and economic landscape of India. At a time when architecture in India needs a critical review, it is this history that serves as a reference and a foundation.

Mapping Modern History


1930 – 1949 

Continue reading MODERN HERITAGE: Listing