The National War Memorial in Delhi by Chennai-based Webe Design Lab is a built landscape that emerges from an unprecedented participatory process, programme, ambition, and typology. In its comprehension, the project creates a space of sanctitude in memory of Jawans, and of pride, and honour for their families and citizens of India, which is respectful to the context.
Google Earth Image of the Site: Before
BACKGROUND & TIMEFRAMES
One of the most enduring images from Delhi since 1931 is the axis of India Gate, forming one of the pinnacles of the ceremonial Vijaypath (the erstwhile Rajpath or the Kings Way) – the currently debated Central Vista. The ceremonial boulevard was designated by Edwin Lutyens as the centre of what he contrived as a ‘modern imperial city’, tethering an enclave of buildings of political eminences such as Rashtrapati Bhavan (formerly the Viceroy’s Residence), Secretariat Building, Vijay Chowk, designed by Lutyens himself and Herbert Baker. Renowned as one of the foremost European designers of war memorials and graves, Edwin Lutyens designed the All India War Memorial, popular as India Gate in tribute to the soldiers martyred in the First World War from 1921-31. Beyond it, since 1972 stands the Amar Jawan Jyoti, an inverted bayonet with a soldier’s helmet – an insignia in homage to India’s victory in the 1971 war with Pakistan and to the brave soldiers who died while serving India’s armed forces. The area surrounding this is marked as the Lutyen’s Bungalow Zone (LBZ) which is also enlisted on 2002 World Monuments Watch list of 100 Most Endangered Sites. Needless to iterate, it is a site of cynosure – an avenue in focus with the ongoing debates around the Central Vista project. It is a landscape of immense cultural, historical and political significance. Continue reading National War Memorial, Delhi: WeBe Design Lab→
Located in the heart of Thrissur – the cultural capital of Kerala, Sree Vadakkunnathan Temple (incrementally built around 12th century) has played a significant role in the evolution of the temple town. Conceived as the conceptual centre of the temple town, the place continues to be a living institution in the core of the new and aggressive developments around.
An aerial view of the Vadakkunnathan Temple precinct positioned centrally in the dense urban fabric of Thrissur
The architecture of Studio Advaita taps into the essential purpose of building with structure, skin, and details that are contextual and inspired from the immediate: a practice where the eye draws from observations of cultural and historical contexts.
Reflecting on the past, there still exists a recollection of a time where good architecture was once identified with spaces of worship such as Temple Architecture, or with structures of power such as kingdoms, forts, and assemblies- among many other forms of public architecture. Today, the scope has broadened and architecture is mostly a setting for everyday, ordinary activities. Despite this familiarity of architecture in our everyday lives, very often we find ourselves asking, “What is good architecture?” Continue reading Exploring Emergent Architecture by Studio Advaita→
The Indian Institute of Management campus in Bangalore occupies about 54,000 square meters within a 100-acre site. Designed as a poly-nuclear plan, the overall spatial arrangement relies on a series of intersecting corridors that form the basic skeletal structure.