Positioned in between the lush valleys of the Western Ghats coursed with streams and scattered coconut palms is a village rich in Goan cultural heritage; Assagao. In the last decade, a number of new and relatively grand country homes have been built in the village. Continue reading SITE VISIT: House in Assagao by Field Atelier
The architecture of Studio Advaita taps into the essential purpose of building with structure, skin, and details that are contextual and inspired from the immediate: a practice where the eye draws from observations of cultural and historical contexts.
Reflecting on the past, there still exists a recollection of a time where good architecture was once identified with spaces of worship such as Temple Architecture, or with structures of power such as kingdoms, forts, and assemblies- among many other forms of public architecture. Today, the scope has broadened and architecture is mostly a setting for everyday, ordinary activities. Despite this familiarity of architecture in our everyday lives, very often we find ourselves asking, “What is good architecture?” Continue reading [IN]SIDE: Exploring Emergent Architecture by Studio Advaita
Designed by Balkrishna Doshi / Vāstu Shilpā Consultants, the Indian Institute of Management in Bangalore is an important site for the heritage of modern architecture in India – a study in the possibility for architecture to assimilate time and human presence in a composition of the built, open and in-between spaces.
The Plan as a Generator
The Indian Institute of Management campus in Bangalore occupies about 54,000 square meters within a 100-acre site. Designed as a poly-nuclear plan, the overall spatial arrangement relies on a series of intersecting corridors that form the basic skeletal structure.
CURATED BY SANGEET SHARMA
The Capital Project of Chandigarh is among the most widely discussed and debated projects in the history of Modern Architecture in India. Under the trusteeship of Prime Minister Nehru, several young Indian architects joined hands to contribute to the mammoth task of nation-building, working across diverse sectors such as buildings for Space Research & Technology, Administrative Infrastructure, Cultural & Educational Institutions and Housing. At the forefront alongside his better-known contemporaries, was Architect Shivdatt Sharma [SD Sharma], a silent but powerful contributor to the ‘modernist’ landscape of a young India. In this piece, curated and assimilated by his son and architect Sangeet Sharma, SD Sharma writes about his time working alongside Le Corbusier and as an apprentice under Pierre Jeanneret.
In an intimate note that follows, Sangeet Sharma shares instances of growing up in the newly built city of Chandigarh and working under Shivdatt Sharma as an apprentice for almost two decades. He reflects on the many relationships that he has nurtured with his father, over the years – one of a friend, philosopher and guide.
LEARNING FROM LEGENDS
Authored by Shivdatt Sharma
Le Corbusier and his associates, all being the members of CIAM, processed the pure architecture that was to be followed in the making of Chandigarh. They believed that geometry was a timeless factor in the whole universe, and was, therefore, to be followed to create purity. Continue reading MODERN HERITAGE: In Retrospection: Shivdatt Sharma
Situated in the midst of a vast arid expanse in Kutch, the architecture of Khamir Crafts Resource Centre in Kukma is one of participation in the celebration of the crafts from the region. Designed to facilitate a network with the artisans by responding to their way of life and work, the place builds upon the complex cultural relationships therein.
In a region that faces natural extremities, craft, in Kutch, is a means of self-reliance. Continue reading SITE VISIT: KHAMIR CRAFT RESOURCE CENTRE