Towards an informed architecture and building practice.
The present day ‘modern’ distress inflicted by ‘innovation’ offers only a fleeting escape amidst architecture that cannot be distilled and built environments that cannot be differentiated. This yearning for a mature, viable society may be met by reclaiming lost responsibilities of unveiling the grammar of traditional practices. Exploring the scope for a radical reorientation of the profession, I recently spoke with Architect Sudhir Kumar to get an insight into the studio’s core concerns which find expression through architecture, research and civic engagement projects.
Based out of Chennai since 1991, Peoples Architecture Commonweal is a coalition of a small group of architects, led by Sudhir Kumar. The studio is invested in the exploration of cultural practices through insights offered by an evolutionary approach towards architecture. Guided by the study of instinctual older approaches to planning, design, and building that are free from the restraint of technological trends, architecture is seen as a means to build more equitable communities by supporting craft and other livelihoods embedded in their local contexts. Continue reading Peoples Architecture Commonweal, Chennai→
For Uday and Mausami Andhare, the process of sketching and drawing by hand pivots the design process as they work through the layers of an often messy path to architectural resolution. Looking through a cross-section of the rich visual material produced as a result, we attempt to capture the many purposes of drawing at Indigo Architects.
In conversation with Ajit Rao on his work and insights on drawings, skill and education.
Architect, Animator and Artist, Ajit Rao started his career working with the renowned Indian architect B V Doshi. Ajit’s added passion for the art of cartooning soon developed into a journey exploring diverse skills in varied mediums of expression and communication. An intuitive teacher, he has headed training programs at leading animation studios and has been a visiting faculty at premier design and architecture institutes in India. Presently Ajit has set up a studio in Lonavala, endeavouring to bring these diverse resources to the service of various aspects of Indian cultural expressions.Continue reading Drawing to Find Out : Ajit Rao→
In an attempt to understand patterns of work at KSA Architects, we examine their drawings to find nuances of a process that permeates between sketchbooks and computers – a process of structuring an argument through drawing – drawing that represents design thinking.
Through the illustration of the usage of oxide in making of floors and surfaces, this is an attempt to revisit the firmly rooted existence of this valuable building art. It is an elaboration on the uniqueness of a material which expresses through its end product a narrative of its locally crafted creation and the growth of a skill over centuries, which makes it exclusive for an informed pick in design practice.
Oxide, as a raw material, has contributed significantly to the manifested choices of finishes for the built surfaces in architectural spaces. Its earthy, warm and tantalising texture has time immemorially instigated masses and not just practitioners, to reconnect with myriad associations of traditional charm and value of building craftsmanship. By being used as an agent in preparation of floors, walls and other surfaces in typical shades as cherry, crimson, ruby or scarlet, its practice has been polished and perfected to become a selective building process in concentrated parts of India like Kerala, coastal Karnataka and interior Tamil Nadu. Continue reading Oxide: Beyond a material→
In an attempt to decipher and understand the relationship between the culture of drawing and production of architecture at Hundredhands, we look into their drawings to search for synapses where they represent ideas that eventually translate into architecture.
Architect, writer and critic David Robson, pens an empathetic personal memoir of Geoffrey Bawa as he tries to decipher the legacy of Bawa through his works, his persona and his understanding of the rich tropical landscape of Sri Lanka and his pastiche to find many images of the master architect who continues to influence architecture in Sri Lanka and the Indian Subcontinent.