With R Ravindrakumar & Suhasini Ayer, Auroville
In a world of tremendously paced technological advancements, technique often supersedes skill as technology replaces craft. While alternate modes of construction and production with higher efficiency and precision levels continue to influence the building industry, there exists a sustained effort to renew processes rooted in intuition and the idea of endurance. Suhasini Ayer, Principal Architect, Auroville Design Consultants and R Ravindrakumar, Principal, Ravindrakumar Roofing Technology, shed light on aspects of sustainability and construction methodology deployed in crafting the metal, respectively.
Continue reading Crafting Metal Roofs
Percy Adil Pithwala’s practice moves through intersections in art and architecture. While analysing his work at the Red Studio in Vadodara, we discuss and discover his way of looking at drawing – the abstract and the architectural.
Images and Drawings: Courtesy Percy Adil Pithawala
Author: Vedanti Agarwal
Curation & Film: Matter
Percy Pithawala has developed a unique approach to architectural practice over the years. Situated between pedagogy, art and architecture, his practice forages for intersections, unions and relationships between the three fields with ideas moving fluidly between the three. Percy Pithawala transitioned from working on conventional architecture projects to testing new grounds in competitions, abstract explorations and experimental pedagogy. While growing into both an artist and an architect, Percy closely engaged with ‘drawing as art’ from his schooling years at Pratt University, New York. His process engages with various modes, methods and mediums of drawing, some meant to bring about resolution in thought, while others: a vivid intuitive activity; each one producing expressive outcomes. Continue reading DRAWING TO FIND OUT : PERCY ADIL PITHAWALA
Shubhra Raje, principal architect of shubhra raje_built environments closely engages with different drawing practices within her studio. By excavating and analysing visual material in Shubhra’s studio, we attempt to decipher the draftsmanship cultures, their relationship with the design process and the way in which they inform her practice.
Images and Drawings: Courtesy Shubhra Raje
Author: Vedanti Agarwal
Curation and Film: Matter.
Shubhra Raje’s practice emphasizes the act of drawing as a means of critical thinking. Her rigorous drawing habit traces back to schooling years at CEPT University, where drawing by hand was ingrained in the academic rigour. However, her perceptions on the necessity to draw as a mode of thinking (as against drawing to represent) evolved through learnings during her time at the Cornell University. Representational drawings command a style that is conscious of its viewers. Design-thinking drawings are undisturbed collaterals between the engaged hand and the searching mind, oblivious of another eye. The scale of Shubhra’s practice enables her to engage with all stages of drawing in the design development process.
Continue reading DRAWING TO FIND OUT : SHUBHRA RAJE
Towards an informed architecture and building practice.
The present day ‘modern’ distress inflicted by ‘innovation’ offers only a fleeting escape amidst architecture that cannot be distilled and built environments that cannot be differentiated. This yearning for a mature, viable society may be met by reclaiming lost responsibilities of unveiling the grammar of traditional practices. Exploring the scope for a radical reorientation of the profession, I recently spoke with Architect Sudhir Kumar to get an insight into the studio’s core concerns which find expression through architecture, research and civic engagement projects.
Based out of Chennai since 1991, Peoples Architecture Commonweal is a coalition of a small group of architects, led by Sudhir Kumar. The studio is invested in the exploration of cultural practices through insights offered by an evolutionary approach towards architecture. Guided by the study of instinctual older approaches to planning, design, and building that are free from the restraint of technological trends, architecture is seen as a means to build more equitable communities by supporting craft and other livelihoods embedded in their local contexts. Continue reading Peoples Architecture Commonweal, Chennai
Drawing to Find Out 
For Uday and Mausami Andhare, the process of sketching and drawing by hand pivots the design process as they work through the layers of an often messy path to architectural resolution. Looking through a cross-section of the rich visual material produced as a result, we attempt to capture the many purposes of drawing at Indigo Architects.
Continue reading Indigo Architects: Mausami and Uday Andhare