Category Archives: Practice

STUDIO: Nataraj and Venkat Architects

Studio culture – as with all manifestations of the human intellect – is the embodiment of a pattern of work that nurtures the craft of building. Architecture workspaces are especially readable in this context as architects are, in this case, designing for themselves. With every workplace as distinct and specific as the work it produces, the people who design and work in these environments reveal their ideas in the space.

In this edition of the STUDIO series, we enquire about the early beginnings and work ethics of a long standing studio-culture of the Chennai-based practice Nataraj and Venkat Architects, founded by V S Nataraj and A Venkat in 1984.

Entryway: Studio NVA

A quiet pathway trails into the studio space, where dappled sunlight gently wraps its facade forming an interplay of shadows, materials and textures. Chennai-based  Nataraj & Venkat Architects [NVA] is a 30-year-old design practice, and is among the city’s pioneering firms renowned for their contemporary vernacular architecture. In a brief conversation with ThinkMatter, Principal Architect A Venkat discusses the making of a successful practice with a philosophy rooted in collaboration, competition and consciousness. Continue reading STUDIO: Nataraj and Venkat Architects

An Ephemeral Lab in a City of Fixity

In a series on archival texts, views, discussions and comments on the state of architecture and design education in India,  Architect and Academic Krishnapriya Rajshekar shares from her experience as Assistant Professor at Wadiyar Centre for Architecture (WCFA), the significance of context in a studio culture, ‘making’ of a campus experience, and the intrinsic pedagogical framework embedded in an architectural education. For the curated short series, a prologue by Suprio Bhattacharjee.


PROLOGUE

BY SUPRIO BHATTACHARJEE

When I had set out to write the first essay that in many ways I had thought of as an ‘anchor’ to this series – though not a definitive, dogmatic or instructive one – as points of view, definitions, what can be determined as radical or not, etc. – all of this tends to alter and transform over time – I had never thought it could be seen as a set of ‘implied’ questions or loosely framed inquiries to which one can directly respond.

In many ways, I am indebted to Krishnapriya Rajshekar, Assistant Professor at the Wadiyar Centre for Architecture [WCFA], Mysore, for breaking this aforementioned perception I have had of my one piece of text. Continue reading An Ephemeral Lab in a City of Fixity

HIREN PATEL ON ‘MAKING’

Hiren Patel, Principal and Director, Hiren Patel Architects writes about an approach to architecture where the question of thinking in detail is central to the idea of a project and the work reaffirms this belief when it endures inhabitation over a large span of time.


DESIGN

For me, designing a building is like creating a painting on a canvas. Growing up, I always had an inclination for the arts. As a student, architecture opened up a whole new way of looking at art and design. This, I think, in some way influenced my approach towards architecture. Continue reading HIREN PATEL ON ‘MAKING’

Material Immaterial Studio

Founded by Nitin Barchha and Disney Davis with their shared passion for design, the Mumbai-based practice ‘Material Immaterial Studio’ indulges in the sheer joy of crafting and the process of experimenting with the character of materials. The studio forges unconventional handmade curiosities which appeal to the architectural intellect as reductions of spatial scale by “exploring the bare beauty of materials”.


Every once in a while, one entertains an idea of a peculiar venture; the grounds of which tend to be less pragmatic and more whimsical. While these ideas end before they take off, Nitin and Disney fostered their fascination with materials into a unique endeavour which celebrates craftsmanship. Continue reading Material Immaterial Studio

STUDIO: Pratyush Shankar

Studio culture – as with all manifestations of the human intellect – is the embodiment of a pattern of work that nurtures the craft of building. Architecture workspaces are especially readable in this context as architects are, in this case, designing for themselves. With every workplace as distinct and specific as the work it produces, the people who design and work in these environments reveal their ideas about space-making.

In this edition of the STUDIO series, we enquire about the processes, approaches, work ethics, and the trajectory of a Baroda-based multi-disciplinary practice led by academician and architect Pratyush Shankar.


Q: Tell us a little about the initial years of your practice. Continue reading STUDIO: Pratyush Shankar