In context of the recent demolition of the Hall Of Nations, Prem Chandavarkar observes that the lacuna in understanding the definition and the meaning of heritage will lead to the loss of many valuable buildings that belong to our recent past.
A couple of weeks ago, the Hall of Nations, an exhibition hall in Pragati Maidan in New Delhi, was demolished to make way for a new convention and exhibition centre. The building was a rare example in the world, and the only one in India, of a space frame built in reinforced concrete. Completed in 1972 and designed by architect Raj Rewal and structural engineer Mahendra Raj, it was widely recognised as one of the icons of a period of modern Indian architecture that started in the 1950s and continued till the 1980s. This was an era that centred on India’s desire that the potential of her newly won freedom should offer the country a new modernity, and the cutting-edge architecture of that time, produced by the first generation of post-independence architects, was a significant and powerful representation of this quest. Continue reading What is Heritage? – Prem Chandavarkar→
Drawing from the data of the past two census exercises in Goa [2001 and 2011], this document is the outcome of a collaborative effort between Studio Matter. and Dr. Gaurav K Pandey from the Directorate of Census Operations in Goa.
In a curated series on archival texts, views, discussions and comments on the state of architecture and design education in India, Sen Kapadia contributes the first to provoke further thought as he reminisces about the importance of a diverse learning environment against the restrictive curriculum-based thinking.
For Uday and Mausami Andhare, the process of sketching and drawing by hand pivots the design process as they work through the layers of an often messy path to architectural resolution. Looking through a cross-section of the rich visual material produced as a result, we attempt to capture the many purposes of drawing at Indigo Architects.
The theme and the selection of the curator for the 2016 Venice Architecture Biennale is a testament to the shift in priorities of the discipline and the desperate need to steer the ‘euro-centric’ discussion on architecture towards new and less known territories where the profession has a real role to play.Continue reading The Global Left in Architecture→
In an attempt to understand patterns of work at KSA Architects, we examine their drawings to find nuances of a process that permeates between sketchbooks and computers – a process of structuring an argument through drawing – drawing that represents design thinking.
How the empirical and the scientific can sustain together. – By Narendra Dengle.
Narendra Dengle talks about the inherent contradictions in the much discussed ‘Smart-City’ idea that has captured political imagination by inclining the argument in favour of a city which has a place for all and not just the economy which builds it.
Once a client of mine discussed at length the requirements of an institutional project and stressed the importance of being rational, functional, economic, and energy conscious in approach. We agreed. The next day he called up to say, “Please make it Eco-friendly.” We said, ‘Oh yes’. Then he dropped by to insist that the Continue reading Cities: Between Metaphor & Reality→
David Robson pens an empathetic memoir outlining the life and works of Sri Lanka’s two pioneering architects – a man by the name of Andrew Boyd and a lady by the name Minnette de Silva – in an attempt to restore their well-deserved place in the history of Modern Architecture from Sri Lanka and to bring into light their exceptional merit.
Born in Cornwall in 1905, Andrew Boyd was the son of an Indian Circuit Judge and experienced a typically dislocated Raj childhood, spending part of his childhood in India and part of it at school in England. His father encouraged him to join the tea business, and in 1927 arranged for him to become a tea taster with Liptons in Ceylon. There he was befriended by the photographer, Lionel Wendt, and moved in a circle which included the painter George Keyt and the poet/diplomat Pablo Neruda. Wendt kindled Boyd’s interest in photography and this in turn led him to architecture. Continue reading Andrew Boyd and Minnette de Silva→
In an attempt to decipher and understand the relationship between the culture of drawing and production of architecture at Hundredhands, we look into their drawings to search for synapses where they represent ideas that eventually translate into architecture.
I have grown up with modern architecture. As a child in Ahmedabad, my father used to take me to climb trees in CEPT campus and play cricket in IIM (which then had no compound wall) while vultures lined the water tank with the fake arch. I have known the Sanskar Kendra to host some nice exhibitions although as a child I never used to like the space. I was taught in architecture to consider it sacred. I am not a fan. Continue reading No Museum for Architecture→