A monograph on the work of Prof. Christopher Charles Benninger chronicles buildings that express his transition from an architect in India to an Indian Architect outlining and emphasising on the core values of his work and the changing nature of the context that it negotiates with.
As a memoir-cum-historical and cultural repository, Boombay: From Precincts to Sprawl by Kamu Iyer captures the zeitgeist of an era in Mumbai from 1940s to the present.
“This book is different. Kamu Iyer is an architect who has lived in Mumbai all his life. He is observant, analytical and visual. He understands how people use spaces – especially public spaces. And he has a sense of History.” writes Charles Correa in his foreword to Boombay. Continue reading Boombay: From Precincts to Sprawl : Kamu Iyer
A photo-essay that extends the sublime quality of spaces of monumental and religious significance in Palitana – The City of Temples, the sanctimonious temple complex in Gujarat and tirtha for pilgrims in the Jain community.
Jain temples are called as derasaras. This is world’s only mountain that has 900 temples. These temples are also called Tucks. According to Jainism, since ancient times Palitana has been a major site of salvation and nirvana of Jain saints and sages. Palitana temples and whole mountain are considered the most sacred pilgrimage place (tirtha) by the Jain community, and it is the world’s largest Temple Complex. Continue reading Palitana [The City of Temples]: Radhika Pandit
Conceived, conducted and edited by Narendra Dengle
Encompassing a staggering 50 years of architectural practice across seven Indian Master Architects, the book engages in profound discussions that one can go back to as learnings. Presenting them as multi-faceted personalities, it captures each of their intriguing journeys – as aspiring students of architecture to inspiring architects who laid the architectural touchstone of an Independent India.
The book is a rare compilation of intimate conversations conducted over a period of seven years with seven of India’s most senior Architects – Achyut Kanvinde, Raj Rewal, Anant Raje, Hasmukh Patel, B V Doshi, Uttam C Jain and Charles Correa. Each of these dialogues is curated by author – conductor Narendra Dengle with a live audience to facilitate participation from students, practitioners, and academics from architecture and other diverse disciplines. This he intended would commence discussions on a number of aspects – social, historical, and interdisciplinary.
Book by Rishav Jain
Published by SID Research Cell at the CEPT University, Rishav Jain’s book on ‘Crafts in Interior Architecture’ takes a critical view of the history of building crafts in the context of space-making while analysing recent attitudes towards their integration in contemporary work.
Historically, building crafts have been an intrinsic part of making architecture in India. We have all known and been intimate with the practice. In the Indian context, the idea of ‘kala’ is rooted in many ways of working with materials and mediums. There is a great significance to the relationship of the artisan with the architecture of our subcontinent. There are, of course, many and complex layers of this relationship. That is where this book dwells. Continue reading Crafts in Interior Architecture: India. 1990 Onwards.
By Ram Rahman
Through a visual journey, acclaimed photographer Ram Rahman talks about a critical time for architecture in India – from Independence to Economic Liberalization – as we observe the anxiety of architectural positions in times of uncertainty and struggle for identity.
In India, masters are revered and apprentices forgotten. But it is the apprentices who religiously took the message, the art and the knowledge across India from the first generation of experimenters till the generation of architects and designers who work in an economically liberal India.
This video [with Ram in the background narrative] takes one through an incredibly rich history of the architecture of post-independence India when the socialist ideology worked through democracy creating a fertile ground for experiments in housing and civic architecture. This time stands in stark contrast to the present as the patterns of patronage change and the state becomes increasingly impervious to the core issues.
Ram Rahman is a photographer, designer, curator and activist based in Delhi. He has been an observer of modern movement in architecture in post-colonial India. Using photography as a window to history and the present, he observes the changing landscape of architecture, design and art in India.
He is one of the founding members of the Safdar Hashmi Memorial Trust. Ram Rahman has studied Physics from MIT followed by Graphic Design from Yale.
This presentation is excerpted from a closed-door session with MoMA‘s C-MAP Asia Group in June 2015.
By Ar. Brinda Somaya
Brinda Somaya explains a critical period of architecture practice in India that connects the ‘masters’ to the contemporary practices outlining the nature of work in an era that helped India come to terms with its modernity by minting the term ‘The Bridge Generation’.
I believe I belong to the first generation of practising Architects to be born after India got her freedom. For ease of reference and to give us a sense of identity I have coined the term “Architecture in India – The Bridge Generation” after a great deal of reflection and thought. The term evolved in my mind as I believe we ‘bridged’ the architectural space between the Great Masters and the current generation that continues to enter the global architectural space. Continue reading Architecture in India – The Bridge Generation
In this edition of ‘Architects on Architecture’ series, we speak with Bijoy Ramachandran of Hundredhands about practice, the books he likes and the works and thoughts that he admires and that influence him.
Continue reading Architects on Architecture: Bijoy Ramachandran
The book assembles influences, details and observations on and by Laurie Baker to treat one to an explicit and fitting record to his willingness to accommodate and experiment with architecture of frugality and his continuing capacity to inspire people in re-evaluating excess.
Reprinted in 2014, this book authored by Gautam Bhatia makes an invaluable contribution by documenting the intent and ideas attached to the prolific legacy of Laurie Baker that secedes from the conventional notion of architectural practice. In his preceding author’s note, Gautam Bhatia writes, “The book was originally intended to be a guide to his method of building, but over the many meetings in the verandah of his home, the Hamlet, and the numerous visits to the sites (occasionally carrying a client’s door on the roof of his car) and watching him communicate with the Malyalee masons with vigorous gestures, I came to realise that Baker’s architecture is a by-product of a larger picture – a picture that recognises the importance of people’s aspirations for a better life. I began to see that his buildings were merely a direct and honest response to this spirit, this idea. It was after having realised this that the book took a different turn.” Issued in paperback, the book is eponymously grouped in three distinct parts with brisk chapters – Life, Work & Writings. Continue reading Laurie Baker: Life, Works & Writings – Gautam Bhatia
Re-Mastered for the digital age, here is the classic !
Starring Arundhati Roy, Arjun Raina and Roshan Seth in the leads, the film directed by Pradip Kishen makes a wonderful comment on the atmosphere of a school – something everyone from a design background may relate to. It also take a sarcastic view of the ongoings in a school.
Production: Doordarshan 
Screenplay: Pradip Krishen, Arundhati Roy